The Project Gutenberg eBook, Little Saint Elizabeth and Other Stories , by
Frances Hodgson Burnett


This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net








Title: Little Saint Elizabeth and Other Stories 

Author: Frances Hodgson Burnett

Release Date: December 15, 2003  [eBook #10466]

Language: English

Character set encoding: ISO-8859-1


***START OF THE PROJECT GUTENBERG EBOOK LITTLE SAINT ELIZABETH AND OTHER
STORIES ***


E-text prepared by Juliet Sutherland, Mary Meehan, and the Project
Gutenberg Online Distributed Proofreading Team



LITTLE SAINT ELIZABETH

And Other Stories

BY FRANCES HODGSON BURNETT

1888







CONTENTS




Little Saint Elizabeth

The Story of Prince Fairyfoot

The Proud Little Grain of Wheat

Behind the White Brick




LIST OF ILLUSTRATIONS

FROM DRAWINGS BY REGINALD B. BIRCH

"There she is," they would cry.

It was Aunt Clotilde, who had sunk forward while kneeling at prayer

The villagers did not stand in awe of her

"Uncle Bertrand," said the child, clasping her hands

"Why is it that you cry?" she asked gently

Her strength deserted her--she fell upon her knees in the snow

"Why," exclaimed Fairyfoot, "I'm surprised"

"What's the matter with the swine?" he asked

Almost immediately they found themselves in a beautiful little dell

Fairyfoot loved her in a moment, and he knelt on one knee

"There's the cake," he said

"Eh! Eh!" he said. "What! What! Who's this Tootsicums?"






LITTLE SAINT ELIZABETH


She had not been brought up in America at all. She had been born in
France, in a beautiful _château_, and she had been born heiress to a
great fortune, but, nevertheless, just now she felt as if she was very
poor, indeed. And yet her home was in one of the most splendid houses in
New York. She had a lovely suite of apartments of her own, though she was
only eleven years old. She had had her own carriage and a saddle horse, a
train of masters, and governesses, and servants, and was regarded by all
the children of the neighborhood as a sort of grand and mysterious little
princess, whose incomings and outgoings were to be watched with the
greatest interest.

"There she is," they would cry, flying to their windows to look at her.
"She is going out in her carriage." "She is dressed all in black velvet
and splendid fur." "That is her own, own, carriage." "She has millions of
money; and she can have anything she wants--Jane says so!" "She is very
pretty, too; but she is so pale and has such big, sorrowful, black eyes.
I should not be sorrowful if I were in her place; but Jane says the
servants say she is always quiet and looks sad." "Her maid says she lived
with her aunt, and her aunt made her too religious."

She rarely lifted her large dark eyes to look at them with any curiosity.
She was not accustomed to the society of children. She had never had a
child companion in her life, and these little Americans, who were so very
rosy and gay, and who went out to walk or drive with groups of brothers
and sisters, and even ran in the street, laughing and playing and
squabbling healthily--these children amazed her.

Poor little Saint Elizabeth! She had not lived a very natural or healthy
life herself, and she knew absolutely nothing of real childish pleasures.
You see, it had occurred in this way: When she was a baby of two years
her young father and mother died, within a week of each other, of a
terrible fever, and the only near relatives the little one had were her
Aunt Clotilde and Uncle Bertrand. Her Aunt Clotilde lived in
Normandy--her Uncle Bertrand in New York. As these two were her only
guardians, and as Bertrand de Rochemont was a gay bachelor, fond of
pleasure and knowing nothing of babies, it was natural that he should be
very willing that his elder sister should undertake the rearing and
education of the child.

"Only," he wrote to Mademoiselle de Rochemont, "don't end by training her
for an abbess, my dear Clotilde."

[Illustration: "THERE SHE IS," THEY WOULD CRY.]

There was a very great difference between these two people--the distance
between the gray stone _château_ in Normandy and the brown stone mansion
in New York was not nearly so great as the distance and difference
between the two lives. And yet it was said that in her first youth
Mademoiselle de Rochemont had been as gay and fond of pleasure as either
of her brothers. And then, when her life was at its brightest and
gayest--when she was a beautiful and brilliant young woman--she had had a
great and bitter sorrow, which had changed her for ever. From that time
she had never left the house in which she had been born, and had lived
the life of a nun in everything but being enclosed in convent walls. At
first she had had her parents to take care of, but when they died she had
been left entirely alone in the great _château_, and devoted herself to
prayer and works of charity among the villagers and country people.

"Ah! she is good--she is a saint Mademoiselle," the poor people always
said when speaking of her; but they also always looked a little
awe-stricken when she appeared, and never were sorry when she left them.

She was a tall woman, with a pale, rigid, handsome face, which never
smiled. She did nothing but good deeds, but however grateful her
pensioners might be, nobody would ever have dared to dream of loving her.
She was just and cold and severe. She wore always a straight black serge
gown, broad bands of white linen, and a rosary and crucifix at her waist.
She read nothing but religious works and legends of the saints and
martyrs, and adjoining her private apartments was a little stone chapel,
where the servants said she used to kneel on the cold floor before the
altar and pray for hours in the middle of the night.

The little _curé_ of the village, who was plump and comfortable, and who
had the kindest heart and the most cheerful soul in the world, used to
remonstrate with her, always in a roundabout way, however, never quite as
if he were referring directly to herself.

"One must not let one's self become the stone image of goodness," he said
once. "Since one is really of flesh and blood, and lives among flesh and
blood, that is not best. No, no; it is not best."

But Mademoiselle de Rochemont never seemed exactly of flesh and
blood--she was more like a marble female saint who had descended from her
pedestal to walk upon the earth.

And she did not change, even when the baby Elizabeth was brought to her.
She attended strictly to the child's comfort and prayed many prayers for
her innocent soul, but it can be scarcely said that her manner was any
softer or that she smiled more. At first Elizabeth used to scream at the
sight of the black, nun-like dress and the rigid, handsome face, but in
course of time she became accustomed to them, and, through living in an
atmosphere so silent and without brightness, a few months changed her
from a laughing, romping baby into a pale, quiet child, who rarely made
any childish noise at all.

In this quiet way she became fond of her aunt. She saw little of anyone
but the servants, who were all trained to quietness also. As soon as she
was old enough her aunt began her religious training. Before she could
speak plainly she heard legends of saints and stories of martyrs. She was
taken into the little chapel and taught to pray there. She believed in
miracles, and would not have been surprised at any moment if she had met
the Child Jesus or the Virgin in the beautiful rambling gardens which
surrounded the _château_. She was a sensitive, imaginative child, and the
sacred romances she heard filled all her mind and made up her little
life. She wished to be a saint herself, and spent hours in wandering in
the terraced rose gardens wondering if such a thing was possible in
modern days, and what she must do to obtain such holy victory. Her chief
sorrow was that she knew herself to be delicate and very timid--so timid
that she often suffered when people did not suspect it--and she was
afraid that she was not brave enough to be a martyr. Once, poor little
one! when she was alone in her room, she held her hand over a burning wax
candle, but the pain was so terrible that she could not keep it there.
Indeed, she fell back white and faint, and sank upon her chair,
breathless and in tears, because she felt sure that she could not chant
holy songs if she were being burned at the stake. She had been vowed to
the Virgin in her babyhood, and was always dressed in white and blue, but
her little dress was a small conventual robe, straight and narrow cut, of
white woollen stuff, and banded plainly with blue at the waist. She did
not look like other children, but she was very sweet and gentle, and her
pure little pale face and large, dark eyes had a lovely dreamy look. When
she was old enough to visit the poor with her Aunt Clotilde--and she was
hardly seven years old when it was considered proper that she should
begin--the villagers did not stand in awe of her. They began to adore
her, almost to worship her, as if she had, indeed, been a sacred child.
The little ones delighted to look at her, to draw near her sometimes and
touch her soft white and blue robe. And, when they did so, she always
returned their looks with such a tender, sympathetic smile, and spoke to
them in so gentle a voice, that they were in ecstasies. They used to
talk her over, tell stories about her when they were playing together
afterwards.

"The little Mademoiselle," they said, "she is a child saint. I have heard
them say so. Sometimes there is a little light round her head. One day
her little white robe will begin to shine too, and her long sleeves will
be wings, and she will spread them and ascend through the blue sky to
Paradise. You will see if it is not so."

So, in this secluded world in the gray old _château_, with no companion
but her aunt, with no occupation but her studies and her charities, with
no thoughts but those of saints and religious exercises, Elizabeth lived
until she was eleven years old. Then a great grief befell her. One
morning, Mademoiselle de Rochemont did not leave her room at the regular
hour. As she never broke a rule she had made for herself and her
household, this occasioned great wonder. Her old maid servant waited
half an hour--went to her door, and took the liberty of listening to
hear if she was up and moving about her room. There was no sound. Old
Alice returned, looking quite agitated. "Would Mademoiselle Elizabeth
mind entering to see if all was well? Mademoiselle her aunt might be in
the chapel."

Elizabeth went. Her aunt was not in her room. Then she must be in the
chapel. The child entered the sacred little place. The morning sun was
streaming in through the stained-glass windows above the altar--a broad
ray of mingled brilliant colors slanted to the stone floor and warmly
touched a dark figure lying there. It was Aunt Clotilde, who had sunk
forward while kneeling at prayer and had died in the night.

That was what the doctors said when they were sent for. She had been dead
some hours--she had died of disease of the heart, and apparently without
any pain or knowledge of the change coming to her. Her face was serene
and beautiful, and the rigid look had melted away. Someone said she
looked like little Mademoiselle Elizabeth; and her old servant Alice wept
very much, and said, "Yes--yes--it was so when she was young, before her
unhappiness came. She had the same beautiful little face, but she was
more gay, more of the world. Yes, they were much alike then."

Less than two months from that time Elizabeth was living in the home of
her Uncle Bertrand, in New York. He had come to Normandy for her himself,
and taken her back with him across the Atlantic. She was richer than ever
now, as a great deal of her Aunt Clotilde's money had been left to her,
and Uncle Bertrand was her guardian. He was a handsome, elegant, clever
man, who, having lived long in America and being fond of American life,
did not appear very much like a Frenchman--at least he did not appear so
to Elizabeth, who had only seen the _curé_ and the doctor of the village.
Secretly he was very much embarrassed at the prospect of taking care of a
little girl, but family pride, and the fact that such a very little girl,
who was also such a very great heiress, _must_ be taken care of sustained
him. But when he first saw Elizabeth he could not restrain an exclamation
of consternation.

[Illustration: It was Aunt Clotilde, who had sunk forward while kneeling
at prayer.]

She entered the room, when she was sent for, clad in a strange little
nun-like robe of black serge, made as like her-dead aunt's as possible.
At her small waist were the rosary and crucifix, and in her hand she held
a missal she had forgotten in her agitation to lay down--

"But, my dear child," exclaimed Uncle Bertrand, staring at her aghast.

He managed to recover himself very quickly, and was, in his way, very
kind to her; but the first thing he did was to send to Paris for a
fashionable maid and fashionable mourning.

"Because, as you will see," he remarked to Alice, "we cannot travel as we
are. It is a costume for a convent or the stage."

Before she took off her little conventual robe, Elizabeth went to the
village to visit all her poor. The _curé_ went with her and shed tears
himself when the people wept and kissed her little hand. When the child
returned, she went into the chapel and remained there for a long time.

She felt as if she was living in a dream when all the old life was left
behind and she found herself in the big luxurious house in the gay New
York street. Nothing that could be done for her comfort had been left
undone. She had several beautiful rooms, a wonderful governess, different
masters to teach her, her own retinue of servants as, indeed, has been
already said.

But, secretly, she felt bewildered and almost terrified, everything was
so new, so strange, so noisy, and so brilliant. The dress she wore made
her feel unlike herself; the books they gave her were full of pictures
and stories of worldly things of which she knew nothing. Her carriage was
brought to the door and she went out with her governess, driving round
and round the park with scores of other people who looked at her
curiously, she did not know why. The truth was that her refined little
face was very beautiful indeed, and her soft dark eyes still wore the
dreamy spiritual look which made her unlike the rest of the world.

"She looks like a little princess," she heard her uncle say one day. "She
will be some day a beautiful, an enchanting woman--her mother was so when
she died at twenty, but she had been brought up differently. This one is
a little devotee. I am afraid of her. Her governess tells me she rises in
the night to pray." He said it with light laughter to some of his gay
friends by whom he had wished the child to be seen. He did not know that
his gayety filled her with fear and pain. She had been taught to believe
gayety worldly and sinful, and his whole life was filled with it. He had
brilliant parties--he did not go to church--he had no pensioners--he
seemed to think of nothing but pleasure. Poor little Saint Elizabeth
prayed for his soul many an hour when he was asleep after a grand dinner
or supper party.

He could not possibly have dreamed that there was no one of whom she
stood in such dread; her timidity increased tenfold in his presence.
When he sent for her and she went into the library to find him
luxurious in his arm chair, a novel on his knee, a cigar in his white
hand, a tolerant, half cynical smile on his handsome mouth, she could
scarcely answer his questions, and could never find courage to tell
what she so earnestly desired. She had found out early that Aunt
Clotilde and the _curé_ and the life they had led, had only aroused in
his mind a half-pitying amusement. It seemed to her that he did not
understand and had strange sacrilegious thoughts about them--he did not
believe in miracles--he smiled when she spoke of saints. How could she
tell him that she wished to spend all her money in building churches
and giving alms to the poor? That was what she wished to tell him--that
she wanted money to send back to the village, that she wanted to give
it to the poor people she saw in the streets, to those who lived in the
miserable places.

But when she found herself face to face with him and he said some witty
thing to her and seemed to find her only amusing, all her courage failed
her. Sometimes she thought she would throw herself upon her knees before
him and beg him to send her back to Normandy--to let her live alone in
the _château_ as her Aunt Clotilde had done.

One morning she arose very early, and knelt a long time before the little
altar she had made for herself in her dressing room. It was only a table
with some black velvet thrown over it, a crucifix, a saintly image, and
some flowers standing upon it. She had put on, when she got up, the
quaint black serge robe, because she felt more at home in it, and her
heart was full of determination. The night before she had received a
letter from the _curé_ and it had contained sad news. A fever had broken
out in her beloved village, the vines had done badly, there was sickness
among the cattle, there was already beginning to be suffering, and if
something were not done for the people they would not know how to face
the winter. In the time of Mademoiselle de Rochemont they had always been
made comfortable and happy at Christmas. What was to be done? The _curé_
ventured to write to Mademoiselle Elizabeth.

[Illustration: The villagers did not stand in awe of her.]

The poor child had scarcely slept at all. Her dear village! Her dear
people! The children would be hungry; the cows would die; there would be
no fires to warm those who were old.

"I must go to uncle," she said, pale and trembling. "I must ask him to
give me money. I am afraid, but it is right to mortify the spirit. The
martyrs went to the stake. The holy Saint Elizabeth was ready to endure
anything that she might do her duty and help the poor."

Because she had been called Elizabeth she had thought and read a great
deal of the saint whose namesake she was--the saintly Elizabeth whose
husband was so wicked and cruel, and who wished to prevent her from doing
good deeds. And oftenest of all she had read the legend which told that
one day as Elizabeth went out with a basket of food to give to the poor
and hungry, she had met her savage husband, who had demanded that she
should tell him what she was carrying, and when she replied "Roses," and
he tore the cover from the basket to see if she spoke the truth, a
miracle had been performed, and the basket was filled with roses, so
that she had been saved from her husband's cruelty, and also from telling
an untruth. To little Elizabeth this legend had been beautiful and quite
real--it proved that if one were doing good, the saints would take care
of one. Since she had been in her new home, she had, half consciously,
compared her Uncle Bertrand with the wicked Landgrave, though she was too
gentle and just to think he was really cruel, as Saint Elizabeth's
husband had been, only he did not care for the poor, and loved only the
world--and surely that was wicked. She had been taught that to care for
the world at all was a fatal sin.

She did not eat any breakfast. She thought she would fast until she had
done what she intended to do. It had been her Aunt Clotilde's habit to
fast very often.

She waited anxiously to hear that her Uncle Bertrand had left his room.
He always rose late, and this morning he was later than usual as he had
had a long gay dinner party the night before.

It was nearly twelve before she heard his door open. Then she went
quickly to the staircase. Her heart was beating so fast that she put her
little hand to her side and waited a moment to regain her breath. She
felt quite cold.

"Perhaps I must wait until he has eaten his breakfast," she said.
"Perhaps I must not disturb him yet. It would, make him displeased. I
will wait--yes, for a little while."

She did not return to her room, but waited upon the stairs. It seemed to
be a long time. It appeared that a friend breakfasted with him. She heard
a gentleman come in and recognized his voice, which she had heard before.
She did not know what the gentleman's name was, but she had met him going
in and out with her uncle once or twice, and had thought he had a kind
face and kind eyes. He had looked at her in an interested way when he
spoke to her--even as if he were a little curious, and she had wondered
why he did so.

When the door of the breakfast room opened and shut as the servants went
in, she could hear the two laughing and talking. They seemed to be
enjoying themselves very much. Once she heard an order given for the mail
phaeton. They were evidently going out as soon as the meal was over.

At last the door opened and they were coming out. Elizabeth ran down the
stairs and stood in a small reception room. Her heart began to beat
faster than ever.

"The blessed martyrs were not afraid," she whispered to herself.

"Uncle Bertrand!" she said, as he approached, and she scarcely knew her
own faint voice. "Uncle Bertrand--"

He turned, and seeing her, started, and exclaimed, rather
impatiently--evidently he was at once amazed and displeased to see her.
He was in a hurry to get out, and the sight of her odd little figure,
standing in its straight black robe between the _portières_, the slender
hands clasped on the breast, the small pale face and great dark eyes
uplifted, was certainly a surprise to him.

"Elizabeth!" he said, "what do you wish? Why do you come downstairs? And
that impossible dress! Why do you wear it again? It is not suitable."

"Uncle Bertrand," said the child, clasping her hands still more tightly,
her eyes growing larger in her excitement and terror under his
displeasure, "it is that I want money--a great deal. I beg your pardon if
I derange you. It is for the poor. Moreover, the _curé_ has written the
people of the village are ill--the vineyards did not yield well. They
must have money. I must send them some."

Uncle Bertrand shrugged his shoulders.

"That is the message of _monsieur le curé_, is it?" he said. "He wants
money! My dear Elizabeth, I must inquire further. You have a fortune, but
I cannot permit you to throw it away. You are a child, and do not
understand--"

[Illustration: "UNCLE BERTRAND," SAID THE CHILD, CLASPING HER HANDS.]

"But," cried Elizabeth, trembling with agitation, "they are so poor when
one does not help them: their vineyards are so little, and if the year is
bad they must starve. Aunt Clotilde gave to them every year--even in the
good years. She said they must be cared for like children."

"That was your Aunt Clotilde's charity," replied her uncle. "Sometimes
she was not so wise as she was devout. I must know more of this. I have
no time at present, I am going out of town. In a few days I will reflect
upon it. Tell your maid to give that hideous garment away. Go out to
drive--amuse yourself--you are too pale."

Elizabeth looked at his handsome, careless face in utter helplessness.
This was a matter of life and death to her; to him it meant nothing.

"But it is winter," she panted, breathlessly; "there is snow. Soon it
will be Christmas, and they will have nothing--no candles for the church,
no little manger for the holy child, nothing for the poorest ones. And
the children--"

"It shall be thought of later," said Uncle Bertrand. "I am too busy now.
Be reasonable, my child, and run away. You detain me."

He left her with a slight impatient shrug of his shoulders and the slight
amused smile on his lips. She heard him speak to his friend.

"She was brought up by one who had renounced the world," he said,
"and she has already renounced it herself--_pauvre petite enfant_! At
eleven years she wishes to devote her fortune to the poor and herself
to the Church."

Elizabeth sank back into the shadow of the _portières_. Great
burning tears filled her eyes and slipped down her cheeks, falling
upon her breast.

"He does not care," she said; "he does not know. And I do no one
good--no one." And she covered her face with her hands and stood sobbing
all alone.

When she returned to her room she was so pale that her maid looked at her
anxiously, and spoke of it afterwards to the other servants. They were
all fond of Mademoiselle Elizabeth. She was always kind and gentle to
everybody.

Nearly all the day she sat, poor little saint! by her window looking out
at the passers-by in the snowy street. But she scarcely saw the people at
all, her thoughts were far away, in the little village where she had
always spent her Christmas before. Her Aunt Clotilde had allowed her at
such times to do so much. There had not been a house she had not carried
some gift to; not a child who had been forgotten. And the church on
Christmas morning had been so beautiful with flowers from the hot-houses
of the _château_. It was for the church, indeed, that the conservatories
were chiefly kept up. Mademoiselle de Rochemont would scarcely have
permitted herself such luxuries.

But there would not be flowers this year, the _château_ was closed; there
were no longer gardeners at work, the church would be bare and cold, the
people would have no gifts, there would be no pleasure in the little
peasants' faces. Little Saint Elizabeth wrung her slight hands together
in her lap.

"Oh," she cried, "what can I do? And then there is the poor here--so
many. And I do nothing. The Saints will be angry; they will not intercede
for me. I shall be lost!"

It was not alone the poor she had left in her village who were a grief to
her. As she drove through the streets she saw now and then haggard faces;
and when she had questioned a servant who had one day come to her to ask
for charity for a poor child at the door, she had found that in parts of
this great, bright city which she had not seen, there was said to be
cruel want and suffering, as in all great cities.

"And it is so cold now," she thought, "with the snow on the ground."

The lamps in the street were just beginning to be lighted when her Uncle
Bertrand returned. It appeared that he had brought back with him the
gentleman with the kind face. They were to dine together, and Uncle
Bertrand desired that Mademoiselle Elizabeth should join them. Evidently
the journey out of town had been delayed for a day at least. There came
also another message: Monsieur de Rochemont wished Mademoiselle to send
to him by her maid a certain box of antique ornaments which had been
given to her by her Aunt Clotilde. Elizabeth had known less of the value
of these jewels than of their beauty. She knew they were beautiful, and
that they had belonged to her Aunt Clotilde in the gay days of her
triumphs as a beauty and a brilliant and adored young woman, but it
seemed that they were also very curious, and Monsieur de Rochemont wished
his friend to see them. When Elizabeth went downstairs she found them
examining them together.

"They must be put somewhere for safe keeping," Uncle Bertrand was saying.
"It should have been done before. I will attend to it."

The gentleman with the kind eyes looked at Elizabeth with an
interested expression as she came into the room. Her slender little
figure in its black velvet dress, her delicate little face with its
large soft sad eyes, the gentle gravity of her manner made her seem
quite unlike other children.

He did not seem simply to find her amusing, as her Uncle Bertrand did.
She was always conscious that behind Uncle Bertrand's most serious
expression there was lurking a faint smile as he watched her, but this
visitor looked at her in a different way. He was a doctor, she
discovered. Dr. Norris, her uncle called him, and Elizabeth wondered if
perhaps his profession had not made him quick of sight and kind.

She felt that it must be so when she heard him talk at dinner. She found
that he did a great deal of work among the very poor---that he had a
hospital, where he received little children who were ill--who had perhaps
met with accidents, and could not be taken care of in their wretched
homes. He spoke most frequently of terrible quarters, which he called
Five Points; the greatest poverty and suffering was there. And he spoke
of it with such eloquent sympathy, that even Uncle Bertrand began to
listen with interest.

"Come," he said, "you are a rich, idle fellow; De Rochemont, and we want
rich, idle fellows to come and look into all this and do something for
us. You must let me take you with me some day."

"It would disturb me too much, my good Norris," said Uncle Bertrand, with
a slight shudder. "I should not enjoy my dinner after it."

"Then go without your dinner," said Dr. Norris. "These people do. You
have too many dinners. Give up one."

Uncle Bertrand shrugged his shoulders and smiled.

"It is Elizabeth who fasts," he said. "Myself, I prefer to dine. And yet,
some day, I may have the fancy to visit this place with you."

Elizabeth could scarcely have been said to dine this evening. She could
not eat. She sat with her large, sad eyes fixed upon Dr. Norris' face as
he talked. Every word he uttered sank deep into her heart The want and
suffering of which he spoke were more terrible than anything she had ever
heard of--it had been nothing like this in the village. Oh! no, no. As
she thought of it there was such a look in her dark eyes as almost
startled Dr. Norris several times when he glanced at her, but as he did
not know the particulars of her life with her aunt and the strange
training she had had, he could not possibly have guessed what was going
on in her mind, and how much effect his stories were having. The
beautiful little face touched him very much, and the pretty French accent
with which the child spoke seemed very musical to him, and added a great
charm to the gentle, serious answers she made to the remarks he addressed
to her. He could not help seeing that something had made little
Mademoiselle Elizabeth a pathetic and singular little creature, and he
continually wondered what it was.

"Do you think she is a happy child?" he asked Monsieur de Rochemont when
they were alone together over their cigars and wine.

"Happy?" said Uncle Bertrand, with his light smile. "She has been taught,
my friend, that to be happy upon earth is a crime. That was my good
sister's creed. One must devote one's self, not to happiness, but
entirely to good works. I think I have told you that she, this little
one, desires to give all her fortune to the poor. Having heard you this
evening, she will wish to bestow it upon your Five Points."

When, having retired from the room with a grave and stately little
obeisance to her uncle and his guest, Elizabeth had gone upstairs, it had
not been with the intention of going to bed. She sent her maid away and
knelt before her altar for a long time.

"The Saints will tell me what to do," she said. "The good Saints, who are
always gracious, they will vouchsafe to me some thought which will
instruct me if I remain long enough at prayer."

She remained in prayer a long time. When at last she arose from her knees
it was long past midnight, and she was tired and weak, but the thought
had not been given to her.

But just as she laid her head upon her pillow it came. The ornaments
given to her by her Aunt Clotilde somebody would buy them. They were her
own--it would be right to sell them--to what better use could they be
put? Was it not what Aunt Clotilde would have desired? Had she not told
her stories of the good and charitable who had sold the clothes from
their bodies that the miserable might be helped? Yes, it was right. These
things must be done. All else was vain and useless and of the world. But
it would require courage--great courage. To go out alone to find a place
where the people would buy the jewels--perhaps there might be some who
would not want them. And then when they were sold to find this poor and
unhappy quarter of which her uncle's guest had spoken, and to give to
those who needed--all by herself. Ah! what courage it would require. And
then Uncle Bertrand, some day he would ask about the ornaments, and
discover all, and his anger might be terrible. No one had ever been angry
with her; how could she bear it. But had not the Saints and Martyrs borne
everything? had they not gone to the stake and the rack with smiles? She
thought of Saint Elizabeth and the cruel Landgrave. It could not be even
so bad as that--but whatever the result was it must be borne.

So at last she slept, and there was upon her gentle little face so
sweetly sad a look that when her maid came to waken her in the morning
she stood by the bedside for some moments looking down upon her
pityingly.

The day seemed very long and sorrowful to the poor child. It was full of
anxious thoughts and plannings. She was so innocent and inexperienced, so
ignorant of all practical things. She had decided that it would be best
to wait until evening before going out, and then to take the jewels and
try to sell them to some jeweller. She did not understand the
difficulties that would lie in her way, but she felt very timid.

Her maid had asked permission to go out for the evening and Monsieur de
Rochemont was to dine out, so that she found it possible to leave the
house without attracting attention.

As soon as the streets were lighted she took the case of ornaments, and
going downstairs very quietly, let herself out. The servants were dining,
and she was seen by none of them.

When she found herself in the snowy street she felt strangely
bewildered. She had never been out unattended before, and she knew
nothing of the great busy city. When she turned into the more crowded
thoroughfares, she saw several times that the passers-by glanced at her
curiously. Her timid look, her foreign air and richly furred dress, and
the fact that she was a child and alone at such an hour, could not fail
to attract attention; but though she felt confused and troubled she went
bravely on. It was some time before she found a jeweller's shop, and
when she entered it the men behind the counter looked at her in
amazement. But she went to the one nearest to her and laid the case of
jewels on the counter before him.

"I wish," she said, in her soft low voice, and with the pretty accent, "I
wish that you should buy these."

The man stared at her, and at the ornaments, and then at her again.

"I beg pardon, miss," he said.

Elizabeth repeated her request.

"I will speak to Mr. Moetyler," he said, after a moment of hesitation.

He went to the other end of the shop to an elderly man who sat behind a
desk. After he had spoken a few words, the elderly man looked up as if
surprised; then he glanced at Elizabeth; then, after speaking a few more
words, he came forward.

"You wish to sell these?" he said, looking at the case of jewels with a
puzzled expression.

"Yes," Elizabeth answered.

He bent over the case and took up one ornament after the other and
examined them closely. After he had done this he looked at the little
girl's innocent, trustful face, seeming more puzzled than before.

"Are they your own?" he inquired.

"Yes, they are mine," she replied, timidly.

"Do you know how much they are worth?"

"I know that they are worth much money," said Elizabeth. "I have heard
it said so."

"Do your friends know that you are going to sell them?"

"No," Elizabeth said, a faint color rising in her delicate face. "But it
is right that I should do it."

The man spent a few moments in examining them again and, having done so,
spoke hesitatingly.

"I am afraid we cannot buy them," he said. "It would be impossible,
unless your friends first gave their permission."

"Impossible!" said Elizabeth, and tears rose in her eyes, making them
look softer and more wistful than ever.

"We could not do it," said the jeweller. "It is out of the question under
the circumstances."

"Do you think," faltered the poor little saint, "do you think that nobody
will buy them?"

"I am afraid not," was the reply. "No respectable firm who would pay
their real value. If you take my advice, young lady, you will take them
home and consult your friends."

He spoke kindly, but Elizabeth was overwhelmed with disappointment. She
did not know enough of the world to understand that a richly dressed
little girl who offered valuable jewels for sale at night must be a
strange and unusual sight.

When she found herself on the street again, her long lashes were heavy
with tears.

"If no one will buy them," she said, "what shall I do?"

She walked a long way--so long that she was very tired--and offered them
at several places, but as she chanced to enter only respectable shops,
the same thing happened each time. She was looked at curiously and
questioned, but no one would buy.

"They are mine," she would say. "It is right that I should sell them."
But everyone stared and seemed puzzled, and in the end refused.

At last, after much wandering, she found herself in a poorer quarter of
the city; the streets were narrower and dirtier, and the people began to
look squalid and wretchedly dressed; there were smaller shops and dingy
houses. She saw unkempt men and women and uncared for little children.
The poverty of the poor she had seen in her own village seemed comfort
and luxury by contrast. She had never dreamed of anything like this. Now
and then she felt faint with pain and horror. But she went on.

"They have no vineyards," she said to herself. "No trees and
flowers--it is all dreadful--there is nothing. They need help more than
the others. To let them suffer so, and not to give them charity, would
be a great crime."

She was so full of grief and excitement that she had ceased to notice how
everyone looked at her--she saw only the wretchedness, and dirt and
misery. She did not know, poor child! that she was surrounded by
danger--that she was not only in the midst of misery, but of dishonesty
and crime. She had even forgotten her timidity--that it was growing
late, and that she was far from home, and would not know how to
return--she did not realize that she had walked so far that she was
almost exhausted with fatigue.

She had brought with her all the money she possessed. If she could not
sell the jewels she could, at least, give something to someone in want.
But she did not know to whom she must give first. When she had lived with
her Aunt Clotilde it had been their habit to visit the peasants in their
houses. Must she enter one of these houses--these dreadful places with
the dark passages, from which she heard many times riotous voices, and
even cries, issuing?

"But those who do good must feel no fear," she thought. "It is only to
have courage." At length something happened which caused her to pause
before one of those places. She heard sounds of pitiful moans and sobbing
from something crouched upon the broken steps. It seemed like a heap of
rags, but as she drew near she saw by the light of the street lamp
opposite that it was a woman with her head in her knees, and a wretched
child on each side of her. The children were shivering with cold and
making low cries as if they were frightened.

Elizabeth stopped and then ascended the steps.

"Why is it that you cry?" she asked gently. "Tell me."

The woman did not answer at first, but when Elizabeth spoke again she
lifted her head, and as soon as she saw the slender figure in its velvet
and furs, and the pale, refined little face, she gave a great start.

"Lord have mercy on yez!" she said in a hoarse voice which sounded
almost terrified. "Who are yez, an' what bees ye dow' in a place the
loike o' this?"

"I came," said Elizabeth, "to see those who are poor. I wish to help
them. I have great sorrow for them. It is right that the rich should help
those who want. Tell me why you cry, and why your little children sit in
the cold." Everybody had shown surprise to whom Elizabeth had spoken
to-night, but no one had stared as this woman did.

"It's no place for the loike o' yez," she said. "An' it black noight, an'
men and women wild in the drink; an' Pat Harrigan insoide bloind an' mad
in liquor, an' it's turned me an' the children out he has to shlape in
the snow--an' not the furst toime either. An' it's starvin' we
are--starvin' an' no other," and she dropped her wretched head on her
knees and began to moan again, and the children joined her.

[ILLUSTRATION: "WHY IS IT THAT YOU CRY?" SHE ASKED GENTLY.]

"Don't let yez daddy hear yez," she said to them. "Whisht now--it's come
out an' kill yez he will."

Elizabeth began to feel tremulous and faint.

"Is it that they have hunger?" she asked.

"Not a bite or sup have they had this day, nor yesterday," was the
answer, "The good Saints have pity on us."

"Yes," said Elizabeth, "the good Saints have always pity. I will go and
get some food--poor little ones."

She had seen a shop only a few yards away--she remembered passing it.
Before the woman could speak again she was gone.

"Yes," she said, "I was sent to them--it is the answer to my prayer--it
was not in vain that I asked so long."

When she entered the shop the few people who were in it stopped what they
were doing to stare at her as others had done--but she scarcely saw that
it was so.

"Give to me a basket," she said to the owner of the place. "Put in it
some bread and wine--some of the things which are ready to eat. It is
for a poor woman and her little ones who starve."

There was in the shop among others a red-faced woman with a cunning look
in her eyes. She sidled out of the place and was waiting for Elizabeth
when she came out.

"I'm starvin' too, little lady," she said. "There's many of us that way,
an' it's not often them with money care about it. Give me something too,"
in a wheedling voice.

Elizabeth looked up at her, her pure ignorant eyes full of pity.

"I have great sorrows for you," she said. "Perhaps the poor woman will
share her food with you."

"It's the money I need," said the woman.

"I have none left," answered Elizabeth. "I will come again."

"It's now I want it," the woman persisted. Then she looked covetously at
Elizabeth's velvet fur-lined and trimmed cloak. "That's a pretty cloak
you've on," she said. "You've got another, I daresay."

Suddenly she gave the cloak a pull, but the fastening did not give way as
she had thought it would.

"Is it because you are cold that you want it?" said Elizabeth, in her
gentle, innocent way, "I will give it to you. Take it."

Had not the holy ones in the legends given their garments to the poor?
Why should she not give her cloak?

In an instant it was unclasped and snatched away, and the woman was gone.
She did not even stay long enough to give thanks for the gift, and
something in her haste and roughness made Elizabeth wonder and gave her a
moment of tremor.

She made her way back to the place where the other woman and her children
had been sitting; the cold wind made her shiver, and the basket was very
heavy for her slender arm. Her strength seemed to be giving way.

As she turned the corner, a great, fierce gust of wind swept round it,
and caught her breath and made her stagger. She thought she was going to
fall; indeed, she would have fallen but that one of the tall men who were
passing put out his arm and caught her. He was a well dressed man, in a
heavy overcoat; he had gloves on. Elizabeth spoke in a faint tone. "I
thank you," she began, when the second man uttered a wild exclamation and
sprang forward.

"Elizabeth!" he said, "Elizabeth!"

Elizabeth looked up and uttered a cry herself. It was her Uncle Bertrand
who stood before her, and his companion, who had saved her from falling,
was Dr. Norris.

For a moment it seemed as if they were almost struck dumb with horror;
and then her Uncle Bertrand seized her by the arm in such agitation that
he scarcely seemed himself--not the light, satirical, jesting Uncle
Bertrand she had known at all.

"What does it mean?" he cried. "What are you doing here, in this horrible
place alone? Do you know where it is you have come? What have you in your
basket? Explain! explain!"

The moment of trial had come, and it seemed even more terrible than the
poor child had imagined. The long strain and exertion had been too much
for her delicate body. She felt that she could bear no more; the cold
seemed to have struck to her very heart. She looked up at Monsieur de
Rochemont's pale, excited face, and trembled from head to foot. A strange
thought flashed into her mind. Saint Elizabeth, of Thuringia--the cruel
Landgrave. Perhaps the Saints would help her, too, since she was trying
to do their bidding. Surely, surely it must be so!

"Speak!" repeated Monsieur de Rochemont. "Why is this? The basket--what
have you in it?"

"Roses," said Elizabeth, "Roses." And then her strength deserted her--she
fell upon her knees in the snow--the basket slipped from her arm, and the
first thing which fell from it was--no, not roses,--there had been no
miracle wrought--not roses, but the case of jewels which she had laid on
the top of the other things that it might be the more easily carried.

[ILLUSTRATION: HER STRENGTH DESERTED HER--SHE FELL UPON HER KNEES IN
THE SNOW.]

"Roses!" cried Uncle Bertrand. "Is it that the child is mad? They are the
jewels of my sister Clotilde."

Elizabeth clasped her hands and leaned towards Dr. Norris, the tears
streaming from her uplifted eyes.

"Ah! monsieur," she sobbed, "you will understand. It was for the
poor--they suffer so much. If we do not help them our souls will be lost.
I did not mean to speak falsely. I thought the Saints--the Saints---" But
her sobs filled her throat, and she could not finish. Dr. Norris stopped,
and took her in his strong arms as if she had been a baby.

"Quick!" he said, imperatively; "we must return to the carriage, De
Rochemont. This is a serious matter."

Elizabeth clung to him with trembling hands.

"But the poor woman who starves?" she cried. "The little children--they
sit up on the step quite near--the food was for them! I pray you give
it to them."

"Yes, they shall have it," said the Doctor. "Take the basket, De
Rochemont--only a few doors below." And it appeared that there was
something in his voice which seemed to render obedience necessary, for
Monsieur de Rochemont actually did as he was told.

For a moment Dr. Norris put Elizabeth on her feet again, but it was
only while he removed his overcoat and wrapped it about her slight
shivering body.

"You are chilled through, poor child," he said; "and you are not strong
enough to walk just now. You must let me carry you."

It was true that a sudden faintness had come upon her, and she could not
restrain the shudder which shook her. It still shook her when she was
placed in the carriage which the two gentlemen had thought it wiser to
leave in one of the more respectable streets when they went to explore
the worse ones together.

"What might not have occurred if we had not arrived at that instant!"
said Uncle Bertrand when he got into the carriage. "As it is who knows
what illness--"

"It will be better to say as little as possible now," said Dr. Norris.

"It was for the poor," said Elizabeth, trembling. "I had prayed to the
Saints to tell me what was best I thought I must go. I did not mean to do
wrong. It was for the poor."

And while her Uncle Bertrand regarded her with a strangely agitated look,
and Dr. Norris held her hand between his strong and warm ones, the tears
rolled down her pure, pale little face.

She did not know until some time after what danger she had been in, that
the part of the city into which she had wandered was the lowest and
worst, and was in some quarters the home of thieves and criminals of
every class. As her Uncle Bertrand had said, it was impossible to say
what terrible thing might have happened if they had not met her so soon.
It was Dr. Norris who explained it all to her as gently and kindly as was
possible. She had always been fragile, and she had caught a severe cold
which caused her an illness of some weeks. It was Dr. Norris who took
care of her, and it was not long before her timidity was forgotten in her
tender and trusting affection for him. She learned to watch for his
coming, and to feel that she was no longer lonely. It was through him
that her uncle permitted her to send to the _curé_ a sum of money large
enough to do all that was necessary. It was through him that the poor
woman and her children were clothed and fed and protected. When she was
well enough, he had promised that she should help him among his own poor.
And through him--though she lost none of her sweet sympathy for those
who suffered--she learned to live a more natural and child-like life, and
to find that there were innocent, natural pleasures to be enjoyed in the
world. In time she even ceased to be afraid of her Uncle Bertrand, and to
be quite happy in the great beautiful house. And as for Uncle Bertrand
himself, he became very fond of her, and sometimes even helped her to
dispense her charities. He had a light, gay nature, but he was kind at
heart, and always disliked to see or think of suffering. Now and then he
would give more lavishly than wisely, and then he would say, with his
habitual graceful shrug of the shoulders--"Yes, it appears I am not
discreet. Finally, I think I must leave my charities to you, my good
Norris--to you and Little Saint Elizabeth."







THE STORY OF PRINCE FAIRYFOOT




PREFATORY NOTE


"THE STORY OF PRINCE FAIRYFOOT" was originally intended to be the first
of a series, under the general title of "Stories from the Lost
Fairy-Book, Re-told by the Child Who Read Them," concerning which Mrs.
Burnett relates:

"When I was a child of six or seven, I had given to me a book of
fairy-stories, of which I was very fond. Before it had been in my
possession many months, it disappeared, and, though since then I have
tried repeatedly, both in England and America, to find a copy of it, I
have never been able to do so. I asked a friend in the Congressional
Library at Washington--a man whose knowledge of books is almost
unlimited--to try to learn something about it for me. But even he could
find no trace of it; and so we concluded it must have been out of print
some time. I always remembered the impression the stories had made on me,
and, though most of them had become very faint recollections, I
frequently told them to children, with additions of my own. The story of
Fairyfoot I had promised to tell a little girl; and, in accordance with
the promise, I developed the outline I remembered, introduced new
characters and conversation, wrote it upon note paper, inclosed it in a
decorated satin cover, and sent it to her. In the first place, it was
re-written merely for her, with no intention of publication; but she was
so delighted with it, and read and reread it so untiringly, that it
occurred to me other children might like to hear it also. So I made the
plan of developing and re-writing the other stories in like manner, and
having them published under the title of 'Stories from the Lost
Fairy-Book, Re-told by the Child Who Read Them.'"

The little volume in question Mrs. Burnett afterwards discovered to be
entitled "Granny's Wonderful Chair and the Tales it Told."


THE STORY OF PRINCE FAIRYFOOT




PART I


Once upon a time, in the days of the fairies, there was in the far west
country a kingdom which was called by the name of Stumpinghame. It was a
rather curious country in several ways. In the first place, the people
who lived there thought that Stumpinghame was all the world; they thought
there was no world at all outside Stumpinghame. And they thought that the
people of Stumpinghame knew everything that could possibly be known, and
that what they did not know was of no consequence at all.

One idea common in Stumpinghame was really very unusual indeed. It was a
peculiar taste in the matter of feet. In Stumpinghame, the larger a
person's feet were, the more beautiful and elegant he or she was
considered; and the more aristocratic and nobly born a man was, the more
immense were his feet. Only the very lowest and most vulgar persons were
ever known to have small feet. The King's feet were simply huge; so were
the Queen's; so were those of the young princes and princesses. It had
never occurred to anyone that a member of such a royal family could
possibly disgrace himself by being born with small feet. Well, you may
imagine, then, what a terrible and humiliating state of affairs arose
when there was born into that royal family a little son, a prince, whose
feet were so very small and slender and delicate that they would have
been considered small even in other places than Stumpinghame. Grief and
confusion seized the entire nation. The Queen fainted six times a day;
the King had black rosettes fastened upon his crown; all the flags were
at half-mast; and the court went into the deepest mourning. There had
been born to Stumpinghame a royal prince with small feet, and nobody knew
how the country could survive it!

Yet the disgraceful little prince survived it, and did not seem to mind
at all. He was the prettiest and best tempered baby the royal nurse had
ever seen. But for his small feet, he would have been the flower of the
family. The royal nurse said to herself, and privately told his little
royal highness's chief bottle-washer that she "never see a infant as took
notice so, and sneezed as intelligent." But, of course, the King and
Queen could see nothing but his little feet, and very soon they made up
their minds to send him away. So one day they had him bundled up and
carried where they thought he might be quite forgotten. They sent him to
the hut of a swineherd who lived deep, deep in a great forest which
seemed to end nowhere.

They gave the swineherd some money, and some clothes for Fairyfoot, and
told him, that if he would take care of the child, they would send money
and clothes every year. As for themselves, they only wished to be sure of
never seeing Fairyfoot again.

This pleased the swineherd well enough. He was poor, and he had a wife
and ten children, and hundreds of swine to take care of, and he knew he
could use the little Prince's money and clothes for his own family, and
no one would find it out. So he let his wife take the little fellow, and
as soon as the King's messengers had gone, the woman took the royal
clothes off the Prince and put on him a coarse little nightgown, and gave
all his things to her own children. But the baby Prince did not seem to
mind that--he did not seem to mind anything, even though he had no name
but Prince Fairyfoot, which had been given him in contempt by the
disgusted courtiers. He grew prettier and prettier every day, and long
before the time when other children begin to walk, he could run about on
his fairy feet.

The swineherd and his wife did not like him at all; in fact, they
disliked him because he was so much prettier and so much brighter than
their own clumsy children. And the children did not like him, because
they were ill natured and only liked themselves.

So as he grew older year by year, the poor little Prince was more and
more lonely. He had no one to play with, and was obliged to be always
by himself. He dressed only in the coarsest and roughest clothes; he
seldom had enough to eat, and he slept on straw in a loft under the
roof of the swineherd's hut. But all this did not prevent his being
strong and rosy and active. He was as fleet as the wind, and he had a
voice as sweet as a bird's; he had lovely sparkling eyes, and bright
golden hair; and he had so kind a heart that he would not have done a
wrong or cruel thing for the world. As soon as he was big enough, the
swineherd made him go out into the forest every day to take care of the
swine. He was obliged to keep them together in one place, and if any of
them ran away into the forest, Prince Fairyfoot was beaten. And as the
swine were very wild and unruly, he was very often beaten, because it
was almost impossible to keep them from wandering off; and when they
ran away, they ran so fast, and through places so tangled, that it was
almost impossible to follow them.

The forest in which he had to spend the long days was a very beautiful
one, however, and he could take pleasure in that. It was a forest so
great that it was like a world in itself. There were in it strange,
splendid trees, the branches of which interlocked overhead, and when
their many leaves moved and rustled, it seemed as if they were whispering
secrets. There were bright, swift, strange birds, that flew about in the
deep golden sunshine, and when they rested on the boughs, they, too,
seemed telling one another secrets. There was a bright, clear brook, with
water as sparkling and pure as crystal, and with shining shells and
pebbles of all colours lying in the gold and silver sand at the bottom.
Prince Fairyfoot always thought the brook knew the forest's secret also,
and sang it softly to the flowers as it ran along. And as for the
flowers, they were beautiful; they grew as thickly as if they had been a
carpet, and under them was another carpet of lovely green moss. The trees
and the birds, and the brook and the flowers were Prince Fairyfoot's
friends. He loved them, and never was very lonely when he was with them;
and if his swine had not run away so often, and if the swineherd had not
beaten him so much, sometimes--indeed, nearly all summer--he would have
been almost happy. He used to lie on the fragrant carpet of flowers and
moss and listen to the soft sound of the running water, and to the
whispering of the waving leaves, and to the songs of the birds; and he
would wonder what they were saying to one another, and if it were true,
as the swineherd's children said, that the great forest was full of
fairies. And then he would pretend it was true, and would tell himself
stories about them, and make believe they were his friends, and that they
came to talk to him and let him love them. He wanted to love something or
somebody, and he had nothing to love--not even a little dog.

One day he was resting under a great green tree, feeling really quite
happy because everything was so beautiful. He had even made a little song
to chime in with the brook's, and he was singing it softly and sweetly,
when suddenly, as he lifted his curly, golden head to look about him, he
saw that all his swine were gone. He sprang to his feet, feeling very
much frightened, and he whistled and called, but he heard nothing. He
could not imagine how they had all disappeared so quietly, without making
any sound; but not one of them was anywhere to be seen. Then his poor
little heart began to beat fast with trouble and anxiety. He ran here and
there; he looked through the bushes and under the trees; he ran, and ran,
and ran, and called and whistled, and searched; but nowhere--nowhere was
one of those swine to be found! He searched for them for hours, going
deeper and deeper into the forest than he had ever been before. He saw
strange trees and strange flowers, and heard strange sounds: and at last
the sun began to go down, and he knew he would soon be left in the dark.
His little feet and legs were scratched with brambles, and were so tired
that they would scarcely carry him; but he dared not go back to the
swineherd's hut without finding the swine. The only comfort he had on all
the long way was that the little brook had run by his side, and sung its
song to him; and sometimes he had stopped and bathed his hot face in it,
and had said, "Oh, little brook! you are so kind to me! You are my
friend, I know. I would be so lonely without you!"

When at last the sun did go down, Prince Fairyfoot had wandered so far
that he did not know where he was, and he was so tired that he threw
himself down by the brook, and hid his face in the flowery moss, and
said, "Oh, little brook! I am so tired I can go no further; and I can
never find them!"

While he was lying there in despair, he heard a sound in the air above
him, and looked up to see what it was. It sounded like a little bird in
some trouble. And, surely enough, there was a huge hawk darting after a
plump little brown bird with a red breast. The little bird was uttering
sharp frightened cries, and Prince Fairyfoot felt so sorry for it that he
sprang up and tried to drive the hawk away. The little bird saw him at
once, and straightway flew to him, and Fairyfoot covered it with his cap.
And then the hawk flew away in a great rage.

When the hawk was gone, Fairyfoot sat down again and lifted his cap,
expecting, of course, to see the brown bird with the red breast. But, in.
stead of a bird, out stepped a little man, not much higher than your
little finger--a plump little man in a brown suit with a bright red vest,
and with a cocked hat on.

"Why," exclaimed Fairyfoot, "I'm surprised!"

"So am I," said the little man, cheerfully. "I never was more surprised
in my life, except when my great-aunt's grandmother got into such a rage,
and changed me into a robin-redbreast. I tell you, that surprised me!"

"I should think it might," said Fairyfoot. "Why did she do it?"

"Mad," answered the little man--"that was what was the matter with her.
She was always losing her temper like that, and turning people into
awkward things, and then being sorry for it, and not being able to change
them back again. If you are a fairy, you have to be careful. If you'll
believe me, that woman once turned her second-cousin's sister-in-law into
a mushroom, and somebody picked her, and she was made into catsup, which
is a thing no man likes to have happen in his family!"

[Illustration: "WHY," EXCLAIMED FAIRYFOOT, "I'M SURPRISED!"]

"Of course not," said Fairyfoot, politely.

"The difficulty is," said the little man, "that some fairies don't
graduate. They learn to turn people into things, but they don't learn how
to unturn them; and then, when they get mad in their families--you know
how it is about getting mad in families--there is confusion. Yes,
seriously, confusion arises. It arises. That was the way with my
great-aunt's grandmother. She was not a cultivated old person, and she
did not know how to unturn people, and now you see the result. Quite
accidentally I trod on her favorite corn; she got mad and changed me into
a robin, and regretted it ever afterward. I could only become myself
again by a kind-hearted person's saving me from a great danger. You are
that person. Give me your hand."

Fairyfoot held out his hand. The little man looked at it.

"On second thought," he said, "I can't shake it--it's too large. I'll sit
on it, and talk to you."

With these words, he hopped upon Fairyfoot's hand, and sat down, smiling
and clasping his own hands about his tiny knees.

"I declare, it's delightful not to be a robin," he said. "Had to go about
picking up worms, you know. Disgusting business. I always did hate
worms. I never ate them myself--I drew the line there; but I had to get
them for my family."

Suddenly he began to giggle, and to hug his knees up tight.

"Do you wish to know what I'm laughing at?" he asked Fairyfoot.

"Yes," Fairyfoot answered.

The little man giggled more than ever.

"I'm thinking about my wife," he said--"the one I had when I was a robin.
A nice rage she'll be in when I don't come home to-night! She'll have to
hustle around and pick up worms for herself, and for the children too,
and it serves her right. She had a temper that would embitter the life of
a crow, much more a simple robin. I wore myself to skin and bone taking
care of her and her brood, and how I did hate 'em!--bare, squawking
things, always with their throats gaping open. They seemed to think a
parent's sole duty was to bring worms for them."

"It must have been unpleasant," said Fairyfoot.

"It was more than that," said the little man; "it used to make my
feathers stand on end. There was the nest, too! Fancy being changed into
a robin, and being obliged to build a nest at a moment's notice! I never
felt so ridiculous in my life. How was I to know how to build a nest!
And the worst of it was the way she went on about it."

"She!" said Fairyfoot

"Oh, her, you know," replied the little man, ungrammatically, "my wife.
She'd always been a robin, and she knew how to build a nest; she liked to
order me about, too--she was one of that kind. But, of course, I wasn't
going to own that I didn't know anything about nest-building. I could
never have done anything with her in the world if I'd let her think she
knew as much as I did. So I just put things together in a way of my own,
and built a nest that would have made you weep! The bottom fell out of it
the first night. It nearly killed me."

"Did you fall out, too?" inquired Fairyfoot.

"Oh, no," answered the little man. "I meant that it nearly killed me to
think the eggs weren't in it at the time."

"What did you do about the nest?" asked Fairyfoot.

The little man winked in the most improper manner.

"Do?" he said. "I got mad, of course, and told her that if she hadn't
interfered, it wouldn't have happened; said it was exactly like a hen to
fly around giving advice and unsettling one's mind, and then complain if
things weren't right. I told her she might build the nest herself, if
she thought she could build a better one. She did it, too!" And he
winked again.

"Was it a better one?" asked Fairyfoot.

The little man actually winked a third time. "It may surprise you to hear
that it was," he replied; "but it didn't surprise me. By-the-by," he
added, with startling suddenness, "what's your name, and what's the
matter with you?"

"My name is Prince Fairyfoot," said the boy, "and I have lost my
master's swine."

"My name," said the little man, "is Robin Goodfellow, and I'll find
them for you."

He had a tiny scarlet silk pouch hanging at his girdle, and he put his
hand into it and drew forth the smallest golden whistle you ever saw.

"Blow that," he said, giving it to Fairyfoot, "and take care that you
don't swallow it. You are such a tremendous creature!"

Fairyfoot took the whistle and put it very delicately to his lips. He
blew, and there came from it a high, clear sound that seemed to pierce
the deepest depths of the forest.

"Blow again," commanded Robin Goodfellow.

Again Prince Fairyfoot blew, and again the pure clear sound rang through
the trees, and the next instant he heard a loud rushing and tramping and
squeaking and grunting, and all the great drove of swine came tearing
through the bushes and formed themselves into a circle and stood staring
at him as if waiting to be told what to do next.

"Oh, Robin Goodfellow, Robin Goodfellow!" cried Fairyfoot, "how grateful
I am to you!"

"Not as grateful as I am to you," said Robin Goodfellow. "But for you I
should be disturbing that hawk's digestion at the present moment, instead
of which, here I am, a respectable fairy once more, and my late wife
(though I ought not to call her that, for goodness knows she was early
enough hustling me out of my nest before daybreak, with the unpleasant
proverb about the early bird catching the worm!)--I suppose I should say
my early wife--is at this juncture a widow. Now, where do you live?"

Fairyfoot told him, and told him also about the swineherd, and how it
happened that, though he was a prince, he had to herd swine and live in
the forest.

"Well, well," said Robin Goodfellow, "that is a disagreeable state of
affairs. Perhaps I can make it rather easier for you. You see that is a
fairy whistle."

"I thought so," said Fairyfoot.

"Well," continued Robin Goodfellow, "you can always call your swine with
it, so you will never be beaten again. Now, are you ever lonely?"

"Sometimes I am very lonely indeed," ananswered the Prince. "No one
cares for me, though I think the brook is sometimes sorry, and tries to
tell me things."

"Of course," said Robin. "They all like you. I've heard them say so."

"Oh, have you?" cried Fairyfoot, joyfully.

"Yes; you never throw stones at the birds, or break the branches of the
trees, or trample on the flowers when you can help it."

"The birds sing to me," said Fairyfoot, "and the trees seem to beckon to
me and whisper; and when I am very lonely, I lie down in the grass and
look into the eyes of the flowers and talk to them. I would not hurt one
of them for all the world!"

"Humph!" said Robin, "you are a rather good little fellow. Would you like
to go to a party?"

"A party!" said Fairyfoot. "What is that?"

"This sort of thing," said Robin; and he jumped up and began to dance
around and to kick up his heels gaily in the palm of Fairyfoot's
hand. "Wine, you know, and cake, and all sorts of fun. It begins at
twelve to-night, in a place the fairies know of, and it lasts until
just two minutes and three seconds and a half before daylight. Would
you like to come?"

"Oh," cried Fairyfoot, "I should be so happy if I might!"

"Well, you may," said Robin; "I'll take you. They'll be delighted to see
any friend of mine, I'm a great favourite; of course, you can easily
imagine that. It was a great blow to them when I was changed; such a
loss, you know. In fact, there were several lady fairies, who--but no
matter." And he gave a slight cough, and began to arrange his necktie
with a disgracefully consequential air, though he was trying very hard
not to look conceited; and while he was endeavouring to appear easy and
gracefully careless, he began accidentally to hum, "See the Conquering
Hero Comes," which was not the right tune under the circumstances.

"But for you," he said next, "I couldn't have given them the relief and
pleasure of seeing me this evening. And what ecstasy it will be to them,
to be sure! I shouldn't be surprised if it broke up the whole thing.
They'll faint so--for joy, you know--just at first--that is, the ladies
will. The men won't like it at all; and I don't blame 'em. I suppose I
shouldn't like it--to see another fellow sweep all before him. That's
what I do; I sweep all before me." And he waved his hand in such a fine
large gesture that he overbalanced himself, and turned a somersault. But
he jumped up after it quite undisturbed.

"You'll see me do it to-night," he said, knocking the dents out of his
hat--"sweep all before me." Then he put his hat on, and his hands on his
hips, with a swaggering, man-of-society air. "I say," he said, "I'm glad
you're going. I should like you to see it."

"And I should like to see it," replied Fairyfoot.

"Well," said Mr. Goodfellow, "you deserve it, though that's saying a
great deal. You've restored me to them. But for you, even if I'd escaped
that hawk, I should have had to spend the night in that beastly robin's
nest, crowded into a corner by those squawking things, and domineered
over by her! I wasn't made for that! I'm superior to it. Domestic life
doesn't suit me. I was made for society. I adorn it. She never
appreciated me. She couldn't soar to it. When I think of the way she
treated me," he exclaimed, suddenly getting into a rage, "I've a great
mind to turn back into a robin and peck her head off!"

"Would you like to see her now?" asked Fairyfoot, innocently.

Mr. Goodfellow glanced behind him in great haste, and suddenly sat down.

"No, no!" he exclaimed in a tremendous hurry; "by no means! She has no
delicacy. And she doesn't deserve to see me. And there's a violence and
uncertainty about her movements which is annoying beyond anything you can
imagine. No, I don't want to see her! I'll let her go unpunished for the
present. Perhaps it's punishment enough for her to be deprived of me.
Just pick up your cap, won't you? and if you see any birds lying about,
throw it at them, robins particularly."

"I think I must take the swine home, if you'll excuse me," said
Fairyfoot, "I'm late now."

"Well, let me sit on your shoulder and I'll go with you and show you a
short way home," said Goodfellow; "I know all about it, so you needn't
think about yourself again. In fact, we'll talk about the party. Just
blow your whistle, and the swine will go ahead."

Fairyfoot did so, and the swine rushed through the forest before them,
and Robin Goodfellow perched himself on the Prince's shoulder, and
chatted as they went.

It had taken Fairyfoot hours to reach the place where he found Robin, but
somehow it seemed to him only a very short time before they came to the
open place near the swineherd's hut; and the path they had walked in had
been so pleasant and flowery that it had been delightful all the way.

"Now," said Robin when they stopped, "if you will come here to-night at
twelve o'clock, when the moon shines under this tree, you will find me
waiting for you. Now I'm going. Good-bye!" And he was gone before the
last word was quite finished.

Fairyfoot went towards the hut, driving the swine before him, and
suddenly he saw the swineherd come out of his house, and stand staring
stupidly at the pigs. He was a very coarse, hideous man, with bristling
yellow hair, and little eyes, and a face rather like a pig's, and he
always looked stupid, but just now he looked more stupid than ever. He
seemed dumb with surprise.

"What's the matter with the swine?" he asked in his hoarse voice, which
was rather piglike, too.

"I don't know," answered Fairyfoot, feeling a little alarmed. "What _is_
the matter with them?"

"They are four times fatter, and five times bigger, and six times
cleaner, and seven times heavier, and eight times handsomer than they
were when you took them out," the swineherd said.

"I've done nothing to them," said Fairyfoot. "They ran away, but they
came back again."

The swineherd went lumbering back into the hut, and called his wife.

"Come and look at the swine," he said.

And then the woman came out, and stared first at the swine and then at
Fairyfoot.

"He has been with the fairies," she said at last to her husband; "or it
is because he is a king's son. We must treat him better if he can do
wonders like that."

[Illustration: "WHAT'S THE MATTER WITH THE SWINE?" HE ASKED.]




PART II


In went the shepherd's wife, and she prepared quite a good supper for
Fairyfoot and gave it to him. But Fairyfoot was scarcely hungry at all;
he was so eager for the night to come, so that he might see the
fairies. When he went to his loft under the roof, he thought at first
that he could not sleep; but suddenly his hand touched the fairy
whistle and he fell asleep at once, and did not waken again until a
moonbeam fell brightly upon his face and aroused him. Then he jumped up
and ran to the hole in the wall to look out, and he saw that the hour
had come, and the moon was so low in the sky that its slanting light
had crept under the oak-tree.

He slipped downstairs so lightly that his master heard nothing, and then
he found himself out in the beautiful night with the moonlight so bright
that it was lighter than daytime. And there was Robin Goodfellow waiting
for him under the tree! He was so finely dressed that, for a moment,
Fairyfoot scarcely knew him. His suit was made out of the purple velvet
petals of a pansy, which was far finer than any ordinary velvet, and he
wore plumes and tassels, and a ruffle around his neck, and in his belt
was thrust a tiny sword, not half as big as the finest needle.

"Take me on your shoulder," he said to Fairyfoot, "and I will show
you the way."

Fairyfoot took him up, and they went their way through the forest. And
the strange part of it was that though Fairyfoot thought he knew ill the
forest by heart, every path they took was new to him, and more beautiful
than anything he had ever seen before. The moonlight seemed to grow
brighter and purer at every step, and the sleeping flowers sweeter and
lovelier, and the moss greener and thicken Fairyfoot felt so happy and
gay that he forgot he had ever been sad and lonely in his life.

Robin Goodfellow, too, seemed to be in very good spirits. He related a
great many stories to Fairyfoot, and, singularly enough, they were all
about himself and divers and sundry fairy ladies who had been so very
much attached to him that he scarcely expected to find them alive at
the present moment. He felt quite sure they must have died of grief in
his absence.

"I have caused a great deal of trouble in the course of my life," he
said, regretfully, shaking his head. "I have sometimes wished I could
avoid it, but that is impossible. Ahem! When my great-aunt's grandmother
rashly and inopportunely changed me into a robin, I was having a little
flirtation with a little creature who was really quite attractive. I
might have decided to engage myself to her. She was very charming. Her
name was Gauzita. To-morrow I shall go and place flowers on her tomb."

"I thought fairies never died," said Fairyfoot.

"Only on rare occasions, and only from love," answered Robin. "They
needn't die unless they wish to. They have been known to do it through
love. They frequently wish they hadn't afterward--in fact,
invariably--and then they can come to life again. But Gauzita--"

"Are you quite sure she is dead?" asked Fairyfoot.

"Sure!" cried Mr. Goodfellow, in wild indignation, "why, she hasn't seen
me for a couple of years. I've moulted twice since last we met. I
congratulate myself that she didn't see me then," he added, in a lower
voice. "Of course she's dead," he added, with solemn emphasis; "as dead
as a door nail."

Just then Fairyfoot heard some enchanting sounds, faint, but clear. They
were sounds of delicate music and of tiny laughter, like the ringing of
fairy bells.

"Ah!" said Robin Goodfellow, "there they are! But it seems to me they
are rather gay, considering they have not seen me for so long. Turn into
the path."

Almost immediately they found themselves in a beautiful little dell,
filled with moonlight, and with glittering stars in the cup of every
flower; for there were thousands of dewdrops, and every dewdrop shone
like a star. There were also crowds and crowds of tiny men and women, all
beautiful, all dressed in brilliant, delicate dresses, all laughing or
dancing or feasting at the little tables, which were loaded with every
dainty the most fastidious fairy could wish for.

"Now," said Robin Goodfellow, "you shall see me sweep all before me.
Put me down."

Fairyfoot put him down, and stood and watched him while he walked forward
with a very grand manner. He went straight to the gayest and largest
group he could see. It was a group of gentlemen fairies, who were
crowding around a lily of the valley, on the bent stem of which a tiny
lady fairy was sitting, airily swaying herself to and fro, and laughing
and chatting with all her admirers at once.

She seemed to be enjoying herself immensely; indeed, it was disgracefully
plain that she was having a great deal of fun. One gentleman fairy was
fanning her, one was holding her programme, one had her bouquet, another
her little scent bottle, and those who had nothing to hold for her were
scowling furiously at the rest. It was evident that she was very popular,
and that she did not object to it at all; in fact, the way her eyes
sparkled and danced was distinctly reprehensible.

[Illustration: ALMOST IMMEDIATELY THEY FOUND THEMSELVES IN A BEAUTIFUL
LITTLE DELL.]

"You have engaged to dance the next waltz with every one of us!" said one
of her adorers. "How are you going to do it?"

"Did I engage to dance with all of you?" she said, giving her lily stem
the sauciest little swing, which set all the bells ringing. "Well, I am
not going to dance it with all."

"Not with _me_?" the admirer with the fan whispered in her ear.

She gave him the most delightful little look, just to make him believe
she wanted to dance with him but really couldn't. Robin Goodfelllow saw
her. And then she smiled sweetly upon all the rest, every one of them.
Robin Goodfellow saw that, too.

"I am going to sit here and look at you, and let you talk to me," she
said. "I do so enjoy brilliant conversation."

All the gentlemen fairies were so much elated by this that they began to
brighten up, and settle their ruffs, and fall into graceful attitudes,
and think of sparkling things to say; because every one of them knew,
from the glance of her eyes in his direction, that he was one whose
conversation was brilliant; every one knew there could be no mistake
about its being himself that she meant. The way she looked just proved
it. Altogether it was more than Robin Goodfellow could stand, for it was
Gauzita who was deporting herself in this unaccountable manner, swinging
on lily stems, and "going on," so to speak, with several parties at once,
in a way to chill the blood of any proper young lady fairy--who hadn't
any partner at all. It was Gauzita herself.

He made his way into the very centre of the group.

"Gauzita!" he said. He thought, of course, she would drop right off her
lily stem; but she didn't. She simply stopped swinging a moment, and
stared at him.

"Gracious!" she exclaimed. "And who are you?"

"Who am I?" cried Mr. Goodfellow, severely. "Don't you remember me?"

"No," she said, coolly; "I don't, not in the least."

Robin Goodfellow almost gasped for breath. He had never met with anything
so outrageous in his life.

"You don't remember _me_?" he cried. "_Me_! Why, it's impossible!"

"Is it?" said Gauzita, with a touch of dainty impudence. "What's
your name?"

Robin Goodfellow was almost paralyzed. Gauzita took up a midget of an
eyeglass which she had dangling from a thread of a gold chain, and she
stuck it in her eye and tilted her impertinent little chin and looked him
over. Not that she was near-sighted--not a bit of it; it was just one of
her tricks and manners.

"Dear me!" she said, "you do look a trifle familiar. It isn't, it can't
be, Mr. ----, Mr. ----," then she turned to the adorer, who held her
fan, "it can't be Mr. ----, the one who was changed into a robin, you
know," she said. "Such a ridiculous thing to be changed into! What was
his name?"

"Oh, yes! I know whom you mean. Mr. ----, ah--Goodfellow!" said the fairy
with the fan.

"So it was," she said, looking Robin over again. "And he has been pecking
at trees and things, and hopping in and out of nests ever since, I
suppose. How absurd! And we have been enjoying ourselves so much since he
went away! I think I never _did_ have so lovely a time as I have had
during these last two years. I began to know you," she added, in a kindly
tone, "just about the time he went away."

"You have been enjoying yourself?" almost shrieked Robin Goodfellow.

"Well," said Gauzita, in unexcusable slang, "I must smile." And she
did smile.

"And nobody has pined away and died?" cried Robin.

"I haven't," said Gauzita, swinging herself and ringing her bells again.
"I really haven't had time."

Robin Goodfellow turned around and rushed out of the group. He regarded
this as insulting. He went back to Fairyfoot in such a hurry that he
tripped on his sword and fell, and rolled over so many times that
Fairyfoot had to stop him and pick him up.

"Is she dead?" asked Fairyfoot.

"No," said Robin; "she isn't."

He sat down on a small mushroom and clasped his hands about his knees and
looked mad--just mad. Angry or indignant wouldn't express it.

"I have a great mind to go and be a misanthrope," he said.

"Oh! I wouldn't," said Fairyfoot. He didn't know what a misanthrope was,
but he thought it must be something unpleasant.

"Wouldn't you?" said Robin, looking up at him.

"No," answered Fairyfoot.

"Well," said Robin, "I guess I won't. Let's go and have some fun. They
are all that way. You can't depend on any of them. Never trust one of
them. I believe that creature has been engaged as much as twice since I
left. By a singular coincidence," he added, "I have been married twice
myself--but, of course, that's different. I'm a man, you know, and--well,
it's different. We won't dwell on it. Let's go and dance. But wait a
minute first." He took a little bottle from his pocket.

"If you remain the size you are," he continued, "you will tread on whole
sets of lancers and destroy entire germans. If you drink this, you will
become as small as we are; and then, when you are going home, I will give
you something to make you large again." Fairyfoot drank from the little
flagon, and immediately he felt himself growing smaller and smaller until
at last he was as small as his companion.

"Now, come on," said Robin.

On they went and joined the fairies, and they danced and played fairy
games and feasted on fairy dainties, and were so gay and happy that
Fairyfoot was wild with joy. Everybody made him welcome and seemed to
like him, and the lady fairies were simply delightful, especially
Gauzita, who took a great fancy to him. Just before the sun rose, Robin
gave him something from another flagon, and he grew large again, and
two minutes and three seconds and a half before daylight the ball broke
up, and Robin took him home and left him, promising to call for him the
next night.

Every night throughout the whole summer the same thing happened. At
midnight he went to the fairies' dance; and at two minutes and three
seconds and a half before dawn he came home. He was never lonely any
more, because all day long he could think of what pleasure he would have
when the night came; and, besides that, all the fairies were his friends.
But when the summer was coming to an end, Robin Goodfellow said to him:
"This is our last dance--at least it will be our last for some time. At
this time of the year we always go back to our own country, and we don't
return until spring."

This made Fairyfoot very sad. He did not know how he could bear to be
left alone again, but he knew it could not be helped; so he tried to be
as cheerful as possible, and he went to the final festivities, and
enjoyed himself more than ever before, and Gauzita gave him a tiny ring
for a parting gift. But the next night, when Robin did not come for him,
he felt very lonely indeed, and the next day he was so sorrowful that he
wandered far away into the forest, in the hope of finding something to
cheer him a little. He wandered so far that he became very tired and
thirsty, and he was just making up his mind to go home, when he thought
he heard the sound of falling water. It seemed to come from behind a
thicket of climbing roses; and he went towards the place and pushed the
branches aside a little, so that he could look through. What he saw was a
great surprise to him. Though it was the end of summer, inside the
thicket the roses were blooming in thousands all around a pool as clear
as crystal, into which the sparkling water fell from a hole in the rock
above. It was the most beautiful, clear pool that Fairyfoot had ever
seen, and he pressed his way through the rose branches, and, entering the
circle they inclosed, he knelt by the water and drank.

Almost instantly his feeling of sadness left him, and he felt quite
happy and refreshed. He stretched himself on the thick perfumed moss,
and listened to the tinkling of the water, and it was not long before he
fell asleep.

When he awakened the moon was shining, the pool sparkled like a silver
plaque crusted with diamonds, and two nightingales were singing in the
branches over his head. And the next moment he found out that he
understood their language just as plainly as if they had been human
beings instead of birds. The water with which he had quenched his thirst
was enchanted, and had given him this new power.

"Poor boy!" said one nightingale, "he looks tired; I wonder where he
came from."

"Why, my dear," said the other, "is it possible you don't know that he is
Prince Fairyfoot?"

"What!" said the first nightingale--"the King of Stumpinghame's son, who
was born with small feet?"

"Yes," said the second. "And the poor child has lived in the forest,
keeping the swineherd's pigs ever since. And he is a very nice boy,
too--never throws stones at birds or robs nests."

"What a pity he doesn't know about the pool where the red berries grow!"
said the first nightingale.




PART III


"What pool--and what red berries?" asked the second nightingale.

"Why, my dear," said the first, "is it possible you don't know about the
pool where the red berries grow--the pool where the poor, dear Princess
Goldenhair met with her misfortune?"

"Never heard of it," said the second nightingale, rather crossly.

"Well," explained the other, "you have to follow the brook for a day and
three-quarters, and then take all the paths to the left until you come to
the pool. It is very ugly and muddy, and bushes with red berries on them
grow around it."

"Well, what of that?" said her companion; "and what happened to the
Princess Goldenhair?"

"Don't you know that, either?" exclaimed her friend.

"No."

"Ah!" said the first nightingale, "it was very sad. She went out with her
father, the King, who had a hunting party; and she lost her way, and
wandered on until she came to the pool. Her poor little feet were so hot
that she took off her gold-embroidered satin slippers, and put them into
the water--her feet, not the slippers--and the next minute they began to
grow and grow, and to get larger and larger, until they were so immense
she could hardly walk at all; and though all the physicians in the
kingdom have tried to make them smaller, nothing can be done, and she is
perfectly unhappy."

"What a pity she doesn't know about this pool!" said the other bird. "If
she just came here and bathed them three times in the water, they would
be smaller and more beautiful than ever, and she would be more lovely
than she has ever been."

"It is a pity," said her companion; "but, you know, if we once let people
know what this water will do, we should be overrun with creatures bathing
themselves beautiful, and trampling our moss and tearing down our
rose-trees, and we should never have any peace."

"That is true," agreed the other.

Very soon after they flew away, and Fairyfoot was left alone. He had been
so excited while they were talking that he had been hardly able to lie
still. He was so sorry for the Princess Goldenhair, and so glad for
himself. Now he could find his way to the pool with the red berries, and
he could bathe his feet in it until they were large enough to satisfy
Stumpinghame; and he could go back to his father's court, and his parents
would perhaps; be fond of him. But he had so good a heart that he could
not think of being happy himself and letting others remain unhappy, when
he could help them. So the first thing was to find the Princess
Goldenhair and tell her about the nightingales' fountain. But how was he
to find her? The nightingales had not told him. He was very much
troubled, indeed. How was he to find her?

Suddenly, quite suddenly, he thought of the ring Gauzita had given him.
When she had given it to him she had made an odd remark.

"When you wish to go anywhere," she had said, "hold it in your hand, turn
around twice with closed eyes, and something queer will happen."

He had thought it was one of her little jokes, but now it occurred to him
that at least he might try what would happen. So he rose up, held the
ring in his hand, closed his eyes, and turned around twice.

What did happen was that he began to walk, not very fast, but still
passing along as if he were moving rapidly. He did not know where he was
going, but he guessed that the ring did, and that if he obeyed it, he
should find the Princess Goldenhair. He went on and on, not getting in
the least tired, until about daylight he found himself under a great
tree, and on the ground beneath it was spread a delightful breakfast,
which he knew was for him. He sat down and ate it, and then got up again
and went on his way once more. Before noon he had left the forest behind
him, and was in a strange country. He knew it was not Stumpinghame,
because the people had not large feet. But they all had sad faces, and
once or twice, when he passed groups of them who were talking, he heard
them speak of the Princess Goldenhair, as if they were sorry for her and
could not enjoy themselves while such a misfortune rested upon her.

"So sweet and lovely and kind a princess!" they said; "and it really
seems as if she would never be any better."

The sun was just setting when Fairyfoot came in sight of the palace. It
was built of white marble, and had beautiful pleasure-grounds about it,
but somehow there seemed to be a settled gloom in the air. Fairyfoot had
entered the great pleasure-garden, and was wondering where it would be
best to go first, when he saw a lovely white fawn, with a golden collar
about its neck, come bounding over the flower-beds, and he heard, at a
little distance, a sweet voice, saying, sorrowfully, "Come back, my fawn;
I cannot run and play with you as I once used to. Do not leave me, my
little friend."

And soon from behind the trees came a line of beautiful girls, walking
two by two, all very slowly; and at the head of the line, first of all,
came the loveliest princess in the world, dressed softly in pure white,
with a wreath of lilies on her long golden hair, which fell almost to the
hem of her white gown.

She had so fair and tender a young face, and her large, soft eyes, yet
looked so sorrowful, that Fairyfoot loved her in a moment, and he knelt
on one knee, taking off his cap and bending his head until his own golden
hair almost hid his face.

"Beautiful Princess Goldenhair, beautiful and sweet Princess, may I speak
to you?" he said.

The Princess stopped and looked at him, and answered him softly. It
surprised her to see one so poorly dressed kneeling before her, in her
palace gardens, among the brilliant flowers; but she always spoke softly
to everyone.

"What is there that I can do for you, my friend?" she said.

"Beautiful Princess," answered Fairyfoot, blushing, "I hope very much
that I may be able to do something for you."

"For me!" she exclaimed. "Thank you, friend; what is it you can do?
Indeed, I need a help I am afraid no one can ever give me."

"Gracious and fairest lady," said Fairyfoot, "it is that help I
think--nay, I am sure--that I bring to you."

"Oh!" said the sweet Princess. "You have a kind face and most true eyes,
and when I look at you--I do not know why it is, but I feel a little
happier. What is it you would say to me?"

Still kneeling before her, still bending his head modestly, and still
blushing, Fairyfoot told his story. He told her of his own sadness and
loneliness, and of why he was considered so terrible a disgrace to his
family. He told her about the fountain of the nightingales and what he
had heard there and how he had journeyed through the forests, and beyond
it into her own country, to find her. And while he told it, her
beautiful face changed from red to white, and her hands closely clasped
themselves together.

"Oh!" she said, when he had finished, "I know that this is true from the
kind look in your eyes, and I shall be happy again. And how can I thank
you for being so good to a poor little princess whom you had never seen?"

"Only let me see you happy once more, most sweet Princess," answered
Fairyfoot, "and that will be all I desire--only if, perhaps, I might
once--kiss your hand."

She held out her hand to him with so lovely a look in her soft eyes that
he felt happier than he had ever been before, even at the fairy dances.
This was a different kind of happiness. Her hand was as white as a dove's
wing and as soft as a dove's breast. "Come," she said, "let us go at once
to the King."

[Illustration: FAIRYFOOT LOVED HER INA MOMENT, AND HE KNELT ON
ONE KNEE.]

Within a few minutes the whole palace was in an uproar of excitement.
Preparations were made to go to the fountain of the nightingales
immediately. Remembering what the birds had said about not wishing to be
disturbed, Fairyfoot asked the King to take only a small party. So no one
was to go but the King himself, the Princess, in a covered chair carried
by two bearers, the Lord High Chamberlain, two Maids of Honour, and
Fairyfoot.

Before morning they were on their way, and the day after they reached the
thicket of roses, and Fairyfoot pushed aside the branches and led the way
into the dell.

The Princess Goldenhair sat down upon the edge of the pool and put her
feet into it. In two minutes they began to look smaller. She bathed them
once, twice, three times, and, as the nightingales had said, they became
smaller and more beautiful than ever. As for the Princess herself, she
really could not be more beautiful than she had been; but the Lord High
Chamberlain, who had been an exceedingly ugly old gentleman, after
washing his face, became so young and handsome that the First Maid of
Honour immediately fell in love with him. Whereupon she washed her face,
and became so beautiful that he fell in love with her, and they were
engaged upon the spot.

The Princess could not find any words to tell Fairyfoot how grateful
she was and how happy. She could only look at him again and again with
her soft, radiant eyes, and again and again give him her hand that he
might kiss it.

She was so sweet and gentle that Fairyfoot could not bear the thought of
leaving her; and when the King begged him to return to the palace with
them and live there always, he was more glad than I can tell you. To be
near this lovely Princess, to be her friend, to love and serve her and
look at her every day, was such happiness that he wanted nothing more.
But first he wished to visit his father and mother and sisters and
brothers in Stumpinghame! so the King and Princess and their attendants
went with him to the pool where the red berries grew; and after he had
bathed his feet in the water they were so large that Stumpinghame
contained nothing like them, even the King's and Queen's seeming small in
comparison. And when, a few days later, he arrived at the Stumpinghame
Palace, attended in great state by the magnificent retinue with which the
father of the Princess Goldenhair had provided him, he was received with
unbounded rapture by his parents. The King and Queen felt that to have a
son with feet of such a size was something to be proud of, indeed. They
could not admire him sufficiently, although the whole country was
illuminated, and feasting continued throughout his visit.

But though he was glad to be no more a disgrace to his family, it cannot
be said that he enjoyed the size of his feet very much on his own
account. Indeed, he much preferred being Prince Fairyfoot, as fleet as
the wind and as light as a young deer, and he was quite glad to go to the
fountain of the nightingales after his visit was at an end, and bathe his
feet small again, and to return to the palace of the Princess Goldenhair
with the soft and tender eyes. There everyone loved him, and he loved
everyone, and was four times as happy as the day is long.

He loved the Princess more dearly every day, and, of course, as soon as
they were old enough, they were married. And of course, too, they used to
go in the summer to the forest, and dance in the moonlight with the
fairies, who adored them both.

When they went to visit Stumpinghame, they always bathed their feet in
the pool of the red berries; and when they returned, they made them small
again in the fountain of the nightingales.

They were always great friends with Robin Goodfellow, and he was always
very confidential with them about Gauzita, who continued to be as pretty
and saucy as ever.

"Some of these days," he used to say, severely, "I'll marry another
fairy, and see how she'll like that--to see someone else basking in my
society! _I'll_ get even with her!"

But he _never_ did.






THE PROUD LITTLE GRAIN OF WHEAT


There once was a little grain of wheat which was very proud indeed. The
first thing it remembered was being very much crowded and jostled by a
great many other grains of wheat, all living in the same sack in the
granary. It was quite dark in the sack, and no one could move about, and
so there was nothing to be done but to sit still and talk and think. The
proud little grain of wheat talked a great deal, but did not think quite
so much, while its next neighbour thought a great deal and only talked
when it was asked questions it could answer. It used to say that when it
thought a great deal it could remember things which it seemed to have
heard a long time ago.

"What is the use of our staying here so long doing nothing, and never
being seen by anybody?" the proud little grain once asked.

"I don't know," the learned grain replied. "I don't know the answer to
that. Ask me another."

"Why can't I sing like the birds that build their nests in the roof? I
should like to sing, instead of sitting here in the dark."

"Because you have no voice," said the learned grain.

This was a very good answer indeed.

"Why didn't someone give me a voice, then--why didn't they?" said the
proud little grain, getting very cross.

The learned grain thought for several minutes.

"There might be two answers to that," she said at last. "One might be
that nobody had a voice to spare, and the other might be that you have
nowhere to put one if it were given to you."

"Everybody is better off than I am," said the proud little grain. "The
birds can fly and sing, the children can play and shout. I am sure I can
get no rest for their shouting and playing. There are two little boys who
make enough noise to deafen the whole sackful of us."

"Ah! I know them," said the learned grain. "And it's true they are noisy.
Their names are Lionel and Vivian. There is a thin place in the side of
the sack, through which I can see them. I would rather stay where I am
than have to do all they do. They have long yellow hair, and when they
stand on their heads the straw sticks in it and they look very curious. I
heard a strange thing through listening to them the other day."

"What was it?" asked the proud grain.

"They were playing in the straw, and someone came in to them--it was a
lady who had brought them something on a plate. They began to dance and
shout: 'It's cake! It's cake! Nice little mamma for bringing us cake.'
And then they each sat down with a piece and began to take great bites
out of it. I shuddered to think of it afterward."

"Why?"

"Well, you know they are always asking questions, and they began to ask
questions of their mamma, who lay down in the straw near them. She seemed
to be used to it. These are the questions Vivian asked:

"'Who made the cake?'

"'The cook.'

"'Who made the cook?'

"'God.'

"'What did He make her for?'

"'Why didn't He make her white?'

"'Why didn't He make you black?'

"'Did He cut a hole in heaven and drop me through when He made me?'

"'Why didn't it hurt me when I tumbled such a long way?'

"She said she 'didn't know' to all but the two first, and then he
asked two more.

"'What is the cake made of?'

"'Flour, sugar, eggs and butter.'

"'What is flour made of?'

"It was the answer to that which made me shudder."

"What was it?" asked the proud grain.

"She said it was made of--wheat! I don't see the advantage of
being rich--"

"Was the cake rich?" asked the proud grain.

"Their mother said it was. She said, 'Don't eat it so fast--it is
very rich.'"

"Ah!" said the proud grain. "I should like to be rich. It must be very
fine to be rich. If I am ever made into cake, I mean to be so rich that
no one will dare to eat me at all."

"Ah?" said the learned grain. "I don't think those boys would be afraid
to eat you, however rich you were. They are not afraid of richness."

"They'd be afraid of me before they had done with me," said the proud
grain. "I am not a common grain of wheat. Wait until I am made into cake.
But gracious me! there doesn't seem much prospect of it while we are shut
up here. How dark and stuffy it is, and how we are crowded, and what a
stupid lot the other grains are! I'm tired of it, I must say."

"We are all in the same sack," said the learned grain, very quietly.

It was a good many days after that, that something happened. Quite early
in the morning, a man and a boy came into the granary, and moved the sack
of wheat from its place, wakening all the grains from their last nap.

"What is the matter?" said the proud grain. "Who is daring to
disturb us?"

"Hush!" whispered the learned grain, in the most solemn manner.
"Something is going to happen. Something like this happened to somebody
belonging to me long ago. I seem to remember it when I think very hard. I
seem to remember something about one of my family being sown."

"What is sown?" demanded the other grain.

"It is being thrown into the earth," began the learned grain.

Oh, what a passion the proud grain got into! "Into the earth?" she
shrieked out. "Into the common earth? The earth is nothing but dirt,
and I am _not_ a common grain of wheat. I won't be sown! I will _not_
be sown! How dare anyone sow me against my will! I would rather stay in
the sack."

But just as she was saying it, she was thrown out with the learned grain
and some others into another dark place, and carried off by the farmer,
in spite of her temper; for the farmer could not hear her voice at all,
and wouldn't have minded if he had, because he knew she was only a grain
of wheat, and ought to be sown, so that some good might come of her.

Well, she was carried out to a large field in the pouch which the farmer
wore at his belt. The field had been ploughed, and there was a sweet
smell of fresh earth in the air; the sky was a deep, deep blue, but the
air was cool and the few leaves on the trees were brown and dry, and
looked as if they had been left over from last year. "Ah!" said the
learned grain. "It was just such a day as this when my grandfather, or my
father, or somebody else related to me, was sown. I think I remember that
it was called Early Spring."

"As for me," said the proud grain, fiercely, "I should like to see the
man who would dare to sow me!"

At that very moment, the farmer put his big, brown hand into the bag and
threw her, as she thought, at least half a mile from them.

He had not thrown her so far as that, however, and she landed safely in
the shadow of a clod of rich earth, which the sun had warmed through and
through. She was quite out of breath and very dizzy at first, but in a
few seconds she began to feel better and could not help looking around,
in spite of her anger, to see if there was anyone near to talk to. But
she saw no one, and so began to scold as usual.

"They not only sow me," she called out, "but they throw me all by
myself, where I can have no company at all. It is disgraceful."

Then she heard a voice from the other side of the clod. It was the
learned grain, who had fallen there when the farmer threw her out of
his pouch.

"Don't be angry," it said, "I am here. We are all right so far. Perhaps,
when they cover us with the earth, we shall be even nearer to each other
than we are now."

"Do you mean to say they will cover us with the earth?" asked the
proud grain.

"Yes," was the answer. "And there we shall lie in the dark, and the rain
will moisten us, and the sun will warm us, until we grow larger and
larger, and at last burst open!"

"Speak for yourself," said the proud grain; "I shall do no such thing!"

But it all happened just as the learned grain had said, which showed what
a wise grain it was, and how much it had found out just by thinking hard
and remembering all it could.

Before the day was over, they were covered snugly up with the soft,
fragrant, brown earth, and there they lay day after day.

One morning, when the proud grain wakened, it found itself wet through
and through with rain which had fallen in the night, and the next day
the sun shone down and warmed it so that it really began to be afraid
that it would be obliged to grow too large for its skin, which felt a
little tight for it already.

It said nothing of this to the learned grain, at first, because it was
determined not to burst if it could help it; but after the same thing had
happened a great many times, it found, one morning, that it really was
swelling, and it felt obliged to tell the learned grain about it.

"Well," it said, pettishly, "I suppose you will be glad to hear that you
were right, I _am_ going to burst. My skin is so tight now that it
doesn't fit me at all, and I know I can't stand another warm shower like
the last."

"Oh!" said the learned grain, in a quiet way (really learned people
always have a quiet way), "I knew I was right, or I shouldn't have said
so. I hope you don't find it very uncomfortable. I think I myself shall
burst by to-morrow."

"Of course I find it uncomfortable," said the proud grain. "Who wouldn't
find it uncomfortable, to be two or three sizes too small for one's self!
Pouf! Crack! There I go! I have split up all up my right side, and I must
say it's a relief."

"Crack! Pouf! so have I," said the learned grain. "Now we must begin to
push up through the earth. I am sure my relation did that."

"Well, I shouldn't mind getting out into the air. It would be a change
at least."

So each of them began to push her way through the earth as strongly as
she could, and, sure enough, it was not long before the proud grain
actually found herself out in the world again, breathing the sweet air,
under the blue sky, across which fleecy white clouds were drifting, and
swift-winged, happy birds darting.

"It really is a lovely day," were the first words the proud grain said.
It couldn't help it. The sunshine was so delightful, and the birds
chirped and twittered so merrily in the bare branches, and, more
wonderful than all, the great field was brown no longer, but was covered
with millions of little, fresh green blades, which trembled and bent
their frail bodies before the light wind.

"This _is_ an improvement," said the proud grain.

Then there was a little stir in the earth beside it, and up through the
brown mould came the learned grain, fresh, bright, green, like the rest.

"I told you I was not a common grain of wheat," said the proud one.

"You are not a grain of wheat at all now," said the learned one,
modestly. "You are a blade of wheat, and there are a great many others
like you."

"See how green I am!" said the proud blade.

"Yes, you are very green," said its companion. "You will not be so green
when you are older."

The proud grain, which must be called a blade now, had plenty of change
and company after this. It grew taller and taller every day, and made a
great many new acquaintances as the weather grew warmer. These were
little gold and green beetles living near it, who often passed it, and
now and then stopped to talk a little about their children and their
journeys under the soil. Birds dropped down from the sky sometimes to
gossip and twitter of the nests they were building in the apple-trees,
and the new songs they were learning to sing.

Once, on a very warm day, a great golden butterfly, floating by on his
large lovely wings, fluttered down softly and lit on the proud blade, who
felt so much prouder when he did it that she trembled for joy.

"He admires me more than all the rest in the field, you see," it said,
haughtily. "That is because I am so green."

"If I were you," said the learned blade, in its modest way, "I believe I
would not talk so much about being green. People will make such
ill-natured remarks when one speaks often of one's self."

"I am above such people," said the proud blade "I can find nothing more
interesting to talk of than myself."

As time went on, it was delighted to find that it grew taller than any
other blade in the field, and threw out other blades; and at last there
grew out at the top of its stalk ever so many plump, new little grains,
all fitting closely together, and wearing tight little green covers.

"Look at me!" it said then. "I am the queen of all the wheat. I
have a crown."

"No." said its learned companion. "You are now an ear of wheat."

And in a short time all the other stalks wore the same kind of crown, and
it found out that the learned blade was right, and that it was only an
ear, after all.

And now the weather had grown still warmer and the trees were covered
with leaves, and the birds sang and built their nests in them and laid
their little blue eggs, and in time, wonderful to relate, there came baby
birds, that were always opening their mouths for food, and crying "peep,
peep," to their fathers and mothers. There were more butterflies floating
about on their amber and purple wings, and the gold and green beetles
were so busy they had no time to talk.

"Well!" said the proud ear of wheat (you remember it was an ear by this
time) to its companion one day. "You see, you were right again. I am not
so green as I was. I am turning yellow--but yellow is the colour of gold,
and I don't object to looking like gold."

"You will soon be ripe," said its friend.

"And what will happen then?"

"The reaping-machine will come and cut you down, and other strange things
will happen."

"There I make a stand," said the proud ear, "I will _not_ be cut down."

But it was just as the wise ear said it would be. Not long after a
reaping-machine was brought and driven back and forth in the fields, and
down went all the wheat ears before the great knives. But it did not hurt
the wheat, of course, and only the proud ear felt angry.

"I am the colour of gold," it said, "and yet they have dared to cut me
down. What will they do next, I wonder?"

What they did next was to bunch it up with other wheat and tie it
and stack it together, and then it was carried in a waggon and laid
in the barn.

Then there was a great bustle after a while. The farmer's wife and
daughters and her two servants began to work as hard as they could.

"The threshers are coming," they said, "and we must make plenty of things
for them to eat."

So they made pies and cakes and bread until their cupboards were full;
and surely enough the threshers did come with the threshing-machine,
which was painted red, and went "Puff! puff! puff! rattle! rattle!" all
the time. And the proud wheat was threshed out by it, and found itself in
grains again and very much out of breath.

"I look almost as I was at first," it said; "only there are so many of
me. I am grander than ever now. I was only one grain of wheat at first,
and now I am at least fifty."

When it was put into a sack, it managed to get all its grains together in
one place, so that it might feel as grand as possible. It was so proud
that it felt grand, however much it was knocked about.

It did not lie in the sack very long this time before something else
happened. One morning it heard the farmer's wife saying to the
coloured boy:

"Take this yere sack of wheat to the mill, Jerry. I want to try it when I
make that thar cake for the boarders. Them two children from Washington
city are powerful hands for cake."

So Jerry lifted the sack up and threw it over his shoulder, and carried
it out into the spring-waggon.

"Now we are going to travel," said the proud wheat "Don't let us be
separated."

At that minute, there were heard two young voices, shouting:--

"Jerry, take us in the waggon! Let us go to mill, Jerry. We want to
go to mill."

And these were the very two boys who had played in the granary and made
so much noise the summer before. They had grown a little bigger, and
their yellow hair was longer, but they looked just as they used to, with
their strong little legs and big brown eyes, and their sailor hats set so
far back on their heads that it was a wonder they stayed on. And
gracious! how they shouted and ran.

"What does yer mar say?" asked Jerry.

"Says we can go!" shouted both at once, as if Jerry had been deaf, which
he wasn't at all--quite the contrary.

So Jerry, who was very good-natured, lifted them in, and cracked his
whip, and the horses started off. It was a long ride to the mill, but
Lionel and Vivian were not too tired to shout again when they reached it.
They shouted at sight of the creek and the big wheel turning round and
round slowly, with the water dashing and pouring and foaming over it.

"What turns the wheel?" asked Vivian.

"The water, honey," said Jerry.

"What turns the water?"

"Well now, honey," said Jerry, "you hev me thar. I don't know nuffin
'bout it. Lors-a-massy, what a boy you is fur axin dif'cult questions."

Then he carried the sack in to the miller, and said he would wait until
the wheat was ground.

"Ground!" said the proud wheat. "We are going to be ground. I hope it is
agreeable. Let us keep close together."

They did keep close together, but it wasn't very agreeable to be poured
into a hopper and then crushed into fine powder between two big stones.

"Makes nice flour," said the miller, rubbing it between his fingers.

"Flour!" said the wheat--which was wheat no longer. "Now I am flour, and
I am finer than ever. How white I am! I really would rather be white than
green or gold colour. I wonder where the learned grain is, and if it is
as fine and white as I am?"

But the learned grain and her family had been laid away in the granary
for seed wheat.

Before the waggon reached the house again, the two boys were fast asleep
in the bottom of it, and had to be helped out just as the sack was, and
carried in.

The sack was taken into the kitchen at once and opened, and even in its
wheat days the flour had never been so proud as it was when it heard the
farmer's wife say--

"I'm going to make this into cake."

"Ah!" it said; "I thought so. Now I shall be rich, and admired by
everybody."

The farmer's wife then took some of it out in a large white bowl, and
after that she busied herself beating eggs and sugar and butter all
together in another bowl: and after a while she took the flour and beat
it in also.

"Now I am in grand company," said the flour. "The eggs and butter are the
colour of gold, the sugar is like silver or diamonds. This is the very
society for me."

"The cake looks rich," said one of the daughters.

"It's rather too rich for them children," said her mother. "But Lawsey, I
dunno, neither. Nothin' don't hurt 'em. I reckon they could eat a panel
of rail fence and come to no harm."

"I'm rich," said the flour to itself. "That is just what I intended from
the first. I am rich and I am a cake."

Just then, a pair of big brown eyes came and peeped into it. They
belonged to a round little head with a mass of tangled curls all over
it--they belonged to Vivian.

"What's that?" he asked.

"Cake."

"Who made it?"

"I did."

"I like you," said Vivian. "You're such a nice woman. Who's going to eat
any of it? Is Lionel?"

"I'm afraid it's too rich for boys," said the woman, but she laughed and
kissed him.

"No," said Vivian. "I'm afraid it isn't."

"I shall be much too rich," said the cake, angrily. "Boys, indeed. I was
made for something better than boys."

After that, it was poured into a cake-mould, and put into the oven,
where it had rather an unpleasant time of it. It was so hot in there
that if the farmer's wife had not watched it carefully, it would have
been burned.

"But I am cake," it said, "and of the richest kind, so I can bear it,
even if it is uncomfortable."

When it was taken out, it really was cake, and it felt as if it was quite
satisfied. Everyone who came into the kitchen and saw it, said--

"Oh, what a nice cake! How well your new flour has done!"

But just once, while it was cooling, it had a curious, disagreeable
feeling. It found, all at once, that the two boys, Lionel and Vivian,
had come quietly into the kitchen and stood near the table, looking at
the cake with their great eyes wide open and their little red mouths
open, too.

"Dear me," it said. "How nervous I feel--actually nervous. What great
eyes they have, and how they shine! and what are those sharp white
things in their mouths? I really don't like them to look at me in
that way. It seems like something personal. I wish the farmer's wife
would come."

Such a chill ran over it, that it was quite cool when the woman came in,
and she put it away in the cupboard on a plate.

But, that very afternoon, she took it out again and set it on the table
on a glass cake-stand. She put some leaves around it to make it look
nice, and it noticed there were a great many other things on the table,
and they all looked fresh and bright.

"This is all in my honour," it said. "They know I am rich."

Then several people came in and took chairs around the table.

"They all come to sit and look at me," said the vain cake. "I wish the
learned grain could see me now."

There was a little high-chair on each side of the table, and at first
these were empty, but in a few minutes the door opened and in came the
two little boys. They had pretty, clean dresses on, and their "bangs" and
curls were bright with being brushed.

"Even they have been dressed up to do me honour," thought the cake.

[ILLUSTRATION: "THERE'S THE CAKE," HE SAID.]

But, the next minute, it began to feel quite nervous again, Vivian's
chair was near the glass stand, and when he had climbed up and seated
himself, he put one elbow on the table and rested his fat chin on his fat
hand, and fixing his eyes on the cake, sat and stared at it in such an
unnaturally quiet manner for some seconds, that any cake might well have
felt nervous.

"There's the cake," he said, at last, in such a deeply thoughtful voice
that the cake felt faint with anger.

Then a remarkable thing happened. Some one drew the stand toward them and
took the knife and cut out a large slice of the cake.

"Go away," said the cake, though no one heard it. "I am cake! I am rich!
I am not for boys! How dare you?"

Vivian stretched out his hand; he took the slice; he lifted it up, and
then the cake saw his red mouth open--yes, open wider than it could have
believed possible--wide enough to show two dreadful rows of little sharp
white things.

"Good gra--" it began.

But it never said "cious." Never at all. For in two minutes Vivian had
eaten it!!

And there was an end of its airs and graces.






BEHIND THE WHITE BRICK


It began with Aunt Hetty's being out of temper, which, it must be
confessed, was nothing new. At its best, Aunt Hetty's temper was none of
the most charming, and this morning it was at its worst. She had awakened
to the consciousness of having a hard day's work before her, and she had
awakened late, and so everything had gone wrong from the first. There was
a sharp ring in her voice when she came to Jem's bedroom door and called
out, "Jemima, get up this minute!"

Jem knew what to expect when Aunt Hetty began a day by calling her
"Jemima." It was one of the poor child's grievances that she had been
given such an ugly name. In all the books she had read, and she had read
a great many, Jem never had met a heroine who was called Jemima. But it
had been her mother's favorite sister's name, and so it had fallen to her
lot. Her mother always called her "Jem," or "Mimi," which was much
prettier, and even Aunt Hetty only reserved Jemima for unpleasant state
occasions.

It was a dreadful day to Jem. Her mother was not at home, and would not
be until night. She had been called away unexpectedly, and had been
obliged to leave Jem and the baby to Aunt Hetty's mercies.

So Jem found herself busy enough. Scarcely had she finished doing one
thing, when Aunt Hetty told her to begin another. She wiped dishes and
picked fruit and attended to the baby; and when baby had gone to sleep,
and everything else seemed disposed of, for a time, at least, she was so
tired that she was glad to sit down.

And then she thought of the book she had been reading the night before--a
certain delightful story book, about a little girl whose name was Flora,
and who was so happy and rich and pretty and good that Jem had likened
her to the little princesses one reads about, to whose christening feast
every fairy brings a gift.

"I shall have time to finish my chapter before dinner-time comes," said
Jem, and she sat down snugly in one corner of the wide, old fashioned
fireplace.

But she had not read more than two pages before something dreadful
happened. Aunt Hetty came into the room in a great hurry--in such a
hurry, indeed, that she caught her foot in the matting and fell, striking
her elbow sharply against a chair, which so upset her temper that the
moment she found herself on her feet she flew at Jem.

"What!" she said, snatching the book from her, "reading again, when I am
running all over the house for you?" And she flung the pretty little blue
covered volume into the fire.

Jem sprang to rescue it with a cry, but it was impossible to reach
it; it had fallen into a great hollow of red coal, and the blaze
caught it at once.

"You are a wicked woman!" cried Jem, in a dreadful passion, to Aunt
Hetty. "You are a wicked woman."

Then matters reached a climax. Aunt Hetty boxed her ears, pushed her back
on her little footstool, and walked out of the room.

Jem hid her face on her arms and cried as if her heart would break. She
cried until her eyes were heavy, and she thought she would be obliged to
go to sleep. But just as she was thinking of going to sleep, something
fell down the chimney and made her look up. It was a piece of mortar, and
it brought a good deal of soot with it. She bent forward and looked up to
see where it had come from. The chimney was so very wide that this was
easy enough. She could see where the mortar had fallen from the side and
left a white patch.

"How white it looks against the black!" said Jem; "it is like a white
brick among the black ones. What a queer place a chimney is! I can see a
bit of the blue sky, I think."

And then a funny thought came into her fanciful little head. What a many
things were burned in the big fireplace and vanished in smoke or tinder
up the chimney! Where did everything go? There was Flora, for
instance--Flora who was represented on the frontispiece--with lovely,
soft, flowing hair, and a little fringe on her pretty round forehead,
crowned with a circlet of daisies, and a laugh in her wide-awake round
eyes. Where was she by this time? Certainly there was nothing left of her
in the fire. Jem almost began to cry again at the thought.

"It was too bad," she said. "She was so pretty and funny, and I did
like her so."

I daresay it scarcely will be credited by unbelieving people when I tell
them what happened next, it was such a very singular thing, indeed.

Jem felt herself gradually lifted off her little footstool.

"Oh!" she said, timidly, "I feel very light." She did feel light, indeed.
She felt so light that she was sure she was rising gently in the air.

"Oh," she said again, "how--how very light I feel! Oh, dear, I'm going
up the chimney!"

It was rather strange that she never thought of calling for help, but she
did not. She was not easily frightened; and now she was only wonderfully
astonished, as she remembered afterwards. She shut her eyes tight and
gave a little gasp.

"I've heard Aunt Hetty talk about the draught drawing things up the
chimney, but I never knew it was as strong as this," she said.

She went up, up, up, quietly and steadily, and without any uncomfortable
feeling at all; and then all at once she stopped, feeling that her feet
rested against something solid. She opened her eyes and looked about her,
and there she was, standing right opposite the white brick, her feet on a
tiny ledge.

"Well," she said, "this is funny."

But the next thing that happened was funnier still. She found that,
without thinking what she was doing, she was knocking on the white brick
with her knackles, as if it was a door and she expected somebody to open
it. The next minute she heard footsteps, and then a sound, as if some one
was drawing back a little bolt.

"It is a door," said Jem, "and somebody is going to open it."

The white brick moved a little, and some more mortar and soot fell;
then the brick moved a little more, and then it slid aside and left an
open space.

"It's a room!" cried Jem, "There's a room behind it!"

And so there was, and before the open space stood a pretty little girl,
with long lovely hair and a fringe on her forehead. Jem clasped her hands
in amazement. It was Flora herself, as she looked in the picture, and
Flora stood laughing and nodding.

"Come in," she said. "I thought it was you."

"But how can I come in through such a little place?" asked Jem.

"Oh, that is easy enough," said Flora. "Here, give me your hand."

Jem did as she told her, and found that it was easy enough. In an instant
she had passed through the opening, the white brick had gone back to its
place, and she was standing by Flora's side in a large room--the nicest
room she had ever seen. It was big and lofty and light, and there were
all kinds of delightful things in it--books and flowers and playthings
and pictures, and in one corner a great cage full of lovebirds.

"Have I ever seen it before?" asked Jem, glancing slowly round.

"Yes," said Flora; "you saw it last night--in your mind. Don't you
remember it?"

Jem shook her head.

"I feel as if I did, but--"

"Why," said Flora, laughing, "it's my room, the one you read about
last night."

"So it is," said Jem. "But how did you come here?"

"I can't tell you that; I myself don't know. But I am here, and
so"--rather mysteriously--"are a great many other things."

"Are they?" said Jem, very much interested. "What things? Burned things?
I was just wondering--"

"Not only burned things," said Flora, nodding. "Just come with me and
I'll show you something."

She led the way out of the room and down a little passage with several
doors in each side of it, and she opened one door and showed Jem what was
on the other side of it. That was a room, too, and this time it was funny
as well as pretty. Both floor and walls were padded with rose color, and
the floor was strewn with toys. There were big soft balls, rattles,
horses, woolly dogs, and a doll or so; there was one low cushioned chair
and a low table.

"You can come in," said a shrill little voice behind the door, "only mind
you don't tread on things."

"What a funny little voice!" said Jem, but she had no sooner said it than
she jumped back.

The owner of the voice, who had just come forward, was no other
than Baby.

"Why," exclaimed Jem, beginning to feel frightened, "I left you fast
asleep in your crib."

"Did you?" said Baby, somewhat scornfully. "That's just the way with you
grown-up people. You think you know everything, and yet you haven't
discretion enough to know when a pin is sticking into one. You'd know
soon enough if you had one sticking into your own back."

"But I'm not grown up," stammered Jem; "and when you are at home you can
neither walk nor talk. You're not six months old."

"Well, miss," retorted Baby, whose wrongs seemed to have soured her
disposition somewhat, "you have no need to throw that in my teeth; you
were not six months old, either, when you were my age."

Jem could not help laughing.

"You haven't got any teeth," she said.

"Haven't I?" said Baby, and she displayed two beautiful rows with some
haughtiness of manner. "When I am up here," she said, "I am supplied
with the modern conveniences, and that's why I never complain. Do I
ever cry when I am asleep? It's not falling asleep I object to, it's
falling awake."

"Wait a minute," said Jem. "Are you asleep now?"

"I'm what you call asleep. I can only come here when I'm what you call
asleep. Asleep, indeed! It's no wonder we always cry when we have to
fall awake."

"But we don't mean to be unkind to you," protested Jem, meekly.

She could not help thinking Baby was very severe.

"Don't mean!" said Baby. "Well, why don't you think more, then? How would
you like to have all the nice things snatched away from you, and all the
old rubbish packed off on you, as if you hadn't any sense? How would you
like to have to sit and stare at things you wanted, and not to be able to
reach them, or, if you did reach them, have them fall out of your hand,
and roll away in the most unfeeling manner? And then be scolded and
called 'cross!' It's no wonder we are bald. You'd be bald yourself. It's
trouble and worry that keep us bald until we can begin to take care of
ourselves; I had more hair than this at first, but it fell off, as well
it might. No philosopher ever thought of that, I suppose!"

"Well," said Jem, in despair, "I hope you enjoy yourself when you
are here?"

"Yes, I do," answered Baby. "That's one comfort. There is nothing to
knock my head against, and things have patent stoppers on them, so that
they can't roll away, and everything is soft and easy to pick up."

There was a slight pause after this, and Baby seemed to cool down.

"I suppose you would like me to show you round?" she said.

"Not if you have any objection," replied Jem, who was rather subdued.

"I would as soon do it as not," said Baby. "You are not as bad as some
people, though you do get my clothes twisted when you hold me."

Upon the whole, she seemed rather proud of her position. It was evident
she quite regarded herself as hostess. She held her small bald head very
high indeed, as she trotted on before them. She stopped at the first door
she came to, and knocked three times. She was obliged to stand upon
tiptoe to reach the knocker.

"He's sure to be at home at this time of year," she remarked. "This is
the busy season."

"Who's 'he'?" inquired Jem.

But Flora only laughed at Miss Baby's consequential air.

"S.C., to be sure," was the answer, as the young lady pointed to the
door-plate, upon which Jem noticed, for the first time, "S.C." in very
large letters.

The door opened, apparently without assistance, and they entered the
apartment.

"Good gracious!" exclaimed Jem, the next minute. "Good_ness_ gracious!"

She might well be astonished. It was such a long room that she could not
see to the end of it, and it was piled up from floor to ceiling with toys
of every description, and there was such bustle and buzzing in it that it
was quite confusing. The bustle and buzzing arose from a very curious
cause, too,--it was the bustle and buzz of hundreds of tiny men and women
who were working at little tables no higher than mushrooms,--the pretty
tiny women cutting out and sewing, the pretty tiny men sawing and
hammering and all talking at once. The principal person in the place
escaped Jem's notice at first; but it was not long before she saw him,--a
little old gentleman, with a rosy face and sparkling eyes, sitting at a
desk, and writing in a book almost as big as himself. He was so busy that
he was quite excited, and had been obliged to throw his white fur coat
and cap aside, and he was at work in his red waistcoat.

"Look here, if you please," piped Baby, "I have brought some one
to see you."

When he turned round, Jem recognized him at once.

"Eh! Eh!" he said. "What! What! Who's this, Tootsicums?"

Baby's manner became very acid indeed.

"I shouldn't have thought you would have said that, Mr. Claus," she
remarked. "I can't help myself down below, but I generally have my
rights respected up here. I should like to know what sane godfather or
godmother would give one the name of 'Tootsicums' in one's baptism. They
are bad enough, I must say; but I never heard of any of them calling a
person 'Tootsicums.'"

"Come, come!" said S.C., chuckling comfortably and rubbing his hands.
"Don't be too dignified,--it's a bad thing. And don't be too fond of
flourishing your rights in people's faces,--that's the worst of all,
Miss Midget. Folks who make such a fuss about their rights turn them into
wrongs sometimes."

Then he turned suddenly to Jem.

"You are the little girl from down below," he said.

"Yes, sir," answered Jem. "I'm Jem, and this is my friend Flora,--out of
the blue book."

"I'm happy to make her acquaintance," said S.C., "and I'm happy to
make yours. You are a nice child, though a trifle peppery. I'm very
glad to see you."

"I'm very glad indeed to see you, sir," said Jem. "I wasn't quite sure--"

But there she stopped, feeling that it would be scarcely polite to tell
him that she had begun of late years to lose faith in him.

But S.C. only chuckled more comfortably than ever and rubbed his
hands again.

[Illustration: "Eh! Eh!" he said. "What! What! Who's this, Tootsicums?"]

"Ho, ho!" he said. "You know who I am, then?"

Jem hesitated a moment, wondering whether it would not be taking a
liberty to mention his name without putting "Mr." before it: then she
remembered what Baby had called him.

"Baby called you 'Mr. Claus,' sir," she replied; "and I have seen
pictures of you."

"To be sure," said S.C. "S. Claus, Esquire, of Chimneyland. How do
you like me?"

"Very much," answered Jem; "very much, indeed, sir."

"Glad of it! Glad of it! But what was it you were going to say you were
not quite sure of?"

Jem blushed a little.

"I was not quite sure that--that you were true, sir. At least I have not
been quite sure since I have been older."

S.C. rubbed the bald part of his head and gave a little sigh.

"I hope I have not hurt your feelings, sir," faltered Jem, who was a very
kind hearted little soul.

"Well, no," said S.C. "Not exactly. And it is not your fault either. It
is natural, I suppose; at any rate, it is the way of the world. People
lose their belief in a great many things as they grow older; but that
does not make the things not true, thank goodness! and their faith often
comes back after a while. But, bless me!" he added, briskly, "I'm
moralizing, and who thanks a man for doing that? Suppose--"

"Black eyes or blue, sir?" said a tiny voice close to them.

Jem and Flora turned round, and saw it was one of the small workers who
was asking the question.

"Whom for?" inquired S.C.

"Little girl in the red brick house at the corner," said the workwoman;
"name of Birdie."

"Excuse me a moment," said S.C. to the children, and he turned to the big
book and began to run his fingers down the pages in a business-like
manner. "Ah! here she is!" he exclaimed at last. "Blue eyes, if you
please, Thistle, and golden hair. And let it be a big one. She takes good
care of them."

"Yes, sir," said Thistle; "I am personally acquainted with several dolls
in her family. I go to parties in her dolls' house sometimes when she is
fast asleep at night, and they all speak very highly of her. She is most
attentive to them when they are ill. In fact, her pet doll is a cripple,
with a stiff leg."

She ran back to her work and S.C. finished his sentence.

"Suppose I show you my establishment," he said. "Come with me."

It really would be quite impossible to describe the wonderful things he
showed them. Jem's head was quite in a whirl before she had seen one-half
of them, and even Baby condescended to become excited.

"There must be a great many children in the world, Mr. Claus,"
ventured Jem.

"Yes, yes, millions of 'em; bless 'em," said S.C., growing rosier with
delight at the very thought. "We never run out of them, that's one
comfort. There's a large and varied assortment always on hand. Fresh ones
every year, too, so that when one grows too old there is a new one ready.
I have a place like this in every twelfth chimney. Now it's boys, now
it's girls, always one or t'other; and there's no end of playthings for
them, too, I'm glad to say. For girls, the great thing seems to be dolls.
Blitzen! what comfort they _do_ take in dolls! but the boys are for
horses and racket."

They were standing near a table where a worker was just putting the
finishing touch to the dress of a large wax doll, and just at that
moment, to Jem's surprise, she set it on the floor, upon its feet,
quite coolly.

"Thank you," said the doll, politely.

Jem quite jumped.

"You can join the rest now and introduce yourself," said the worker.

The doll looked over her shoulder at her train.

"It hangs very nicely," she said. "I hope it's the latest fashion."

"Mine never talked like that," said Flora. "My best one could only say
'Mamma,' and it said it very badly, too."

"She was foolish for saying it at all," remarked the doll, haughtily. "We
don't talk and walk before ordinary people; we keep our accomplishments
for our own amusement, and for the amusement of our friends. If you
should chance to get up in the middle of the night, some time, or should
run into the room suddenly some day, after you have left it, you might
hear--but what is the use of talking to human beings?"

"You know a great deal, considering you are only just finished," snapped
Baby, who really was a Tartar.

"I was FINISHED," retorted the doll "I did not begin life as a baby!"
very scornfully.

"Pooh!" said Baby. "We improve as we get older."

"I hope so, indeed," answered the doll. "There is plenty of room for
improvement." And she walked away in great state.

S.C. looked at Baby and then shook his head. "I shall not have to take
very much care of you," he said, absent-mindedly. "You are able to take
pretty good care of yourself."

"I hope I am," said Baby, tossing her head.

S.C. gave his head another shake.

"Don't take too good care of yourself," he said. "That's a bad
thing, too."

He showed them the rest of his wonders, and then went with them to the
door to bid them good-bye.

"I am sure we are very much obliged to you, Mr. Claus," said Jem,
gratefully. "I shall never again think you are not true, sir".

S.C. patted her shoulder quite affectionately.

"That's right," he said. "Believe in things just as long as you can,
my dear. Good-bye until Christmas Eve. I shall see you then, if you
don't see me."

He must have taken quite a fancy to Jem, for he stood looking at her, and
seemed very reluctant to close the door, and even after he had closed it,
and they had turned away, he opened it a little again to call to her.

"Believe in things as long as you can, my dear."

"How kind he is!" exclaimed Jem full of pleasure.

Baby shrugged her shoulders.

"Well enough in his way," she said, "but rather inclined to prose and be
old-fashioned."

Jem looked at her, feeling rather frightened, but she said nothing.

Baby showed very little interest in the next room she took them to.

"I don't care about this place," she said, as she threw open the door.
"It has nothing but old things in it. It is the Nobody-knows-where room."

She had scarcely finished speaking before Jem made a little spring and
picked something up.

"Here's my old strawberry pincushion!" she cried out. And then, with
another jump and another dash at two or three other things, "And here's
my old fairy-book! And here's my little locket I lost last summer! How
did they come here?"

"They went Nobody-knows-where," said Baby.

"And this is it."

"But cannot I have them again?" asked Jem.

"No," answered Baby. "Things that go to Nobody-knows-where stay there."

"Oh!" sighed Jem, "I am so sorry."

"They are only old things," said Baby.

"But I like my old things," said Jem. "I love them. And there is mother's
needle case. I wish I might take that. Her dead little sister gave it to
her, and she was so sorry when she lost it."

"People ought to take better care of their things," remarked Baby.

Jem would have liked to stay in this room and wander about among her old
favorites for a long time, but Baby was in a hurry.

"You'd better come away," she said. "Suppose I was to have to fall awake
and leave you?"

The next place they went into was the most wonderful of all.

"This is the Wish room," said Baby. "Your wishes come here--yours
and mother's, and Aunt Hetty's and father's and mine. When did you
wish that?"

Each article was placed under a glass shade, and labelled with the words
and name of the wishers. Some of them were beautiful, indeed; but the
tall shade Baby nodded at when she asked her question was truly
alarming, and caused Jem a dreadful pang of remorse. Underneath it sat
Aunt Hetty, with her mouth stitched up so that she could not speak a
word, and beneath the stand was a label bearing these words, in large
black letters--

"I wish Aunt Hetty's mouth was sewed up, Jem."

"Oh, dear!" cried Jem, in great distress. "How it must have hurt her!
How unkind of me to say it! I wish I hadn't wished it. I wish it would
come undone."

She had no sooner said it than her wish was gratified. The old label
disappeared and a new one showed itself, and there sat Aunt Hetty,
looking herself again, and even smiling.

Jem was grateful beyond measure, but Baby seemed to consider her
weak minded.

"It served her right," she said.

"But when, after looking at the wishes at that end of the room, they went
to the other end, her turn came. In one corner stood a shade with a baby
under it, and the baby was Miss Baby herself, but looking as she very
rarely looked; in fact, it was the brightest, best tempered baby one
could imagine."

"I wish I had a better tempered baby. Mother," was written on the label.

Baby became quite red in the face with anger and confusion.

"That wasn't here the last time I came," she said. "And it is right down
mean in mother!"

This was more than Jem could bear.

"It wasn't mean," she said. "She couldn't help it. You know you are a
cross baby--everybody says so."

Baby turned two shades redder.

"Mind your own business," she retorted. "It was mean; and as to that
silly little thing being better than I am," turning up her small nose,
which was quite turned up enough by Nature--"I must say I don't see
anything so very grand about her. So, there!"

She scarcely condescended to speak to them while they remained in the
Wish room, and when they left it, and went to the last door in the
passage, she quite scowled at it.

"I don't know whether I shall open it at all," she said.

"Why not?" asked Flora. "You might as well."

"It is the Lost pin room," she said. "I hate pins."

She threw the door open with a bang, and then stood and shook her little
fist viciously. The room was full of pins, stacked solidly together.
There were hundreds of them--thousands--millions, it seemed.

"I'm glad they _are_ lost!" she said. "I wish there were more of
them there."

"I didn't know there were so many pins in the world," said Jem.

"Pooh!" said Baby. "Those are only the lost ones that have belonged to
our family."

After this they went back to Flora's room and sat down, while Flora told
Jem the rest of her story.

"Oh!" sighed Jem, when she came to the end. "How delightful it is to be
here! Can I never come again?"

"In one way you can," said Flora. "When you want to come, just sit down
and be as quiet as possible, and shut your eyes and think very hard
about it. You can see everything you have seen to-day, if you try."

"Then I shall be sure to try," Jem answered. She was going to ask some
other question, but Baby stopped her.

"Oh! I'm falling awake," she whimpered, crossly, rubbing her eyes. "I'm
falling awake again."

And then, suddenly, a very strange feeling came over Jem. Flora and the
pretty room seemed to fade away, and, without being able to account for
it at all, she found herself sitting on her little stool again, with a
beautiful scarlet and gold book on her knee, and her mother standing by
laughing at her amazed face. As to Miss Baby, she was crying as hard as
she could in her crib.

"Mother!" Jem cried out, "have you really come home so early as this,
and--and," rubbing her eyes in great amazement, "how did I come down?"

"Don't I look as if I was real?" said her mother, laughing and kissing
her. "And doesn't your present look real? I don't know how you came down,
I'm sure. Where have you been?"

Jem shook her head very mysteriously. She saw that her mother fancied she
had been asleep, but she herself knew better.

"I know you wouldn't believe it was true if I told you," she said;
"I have been BEHIND THE WHITE BRICK."



***END OF THE PROJECT GUTENBERG EBOOK LITTLE SAINT ELIZABETH AND OTHER
STORIES ***


******* This file should be named 10466-8.txt or 10466-8.zip *******


This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/0/4/6/10466


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number.  The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date.  If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.

http://www.ibiblio.org/gutenberg/etext06

    (Or /etext 05, 04, 03, 02, 01, 00, 99,
     98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way.  The year of a release date is no longer part
of the directory path.  The path is based on the etext number (which is
identical to the filename).  The path to the file is made up of single
digits corresponding to all but the last digit in the filename.  For
example an eBook of filename 10234 would be found at:

http://www.gutenberg.net/1/0/2/3/10234

or filename 24689 would be found at:
http://www.gutenberg.net/2/4/6/8/24689

An alternative method of locating eBooks:
http://www.gutenberg.net/GUTINDEX.ALL

*** END: FULL LICENSE ***